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Saint Bruno Refuses the Archbishopric of Reggio Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente
Saint Bruno Refuses the Archbishopric of Reggio Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Stephen of Châtillon, Bishop of Diè, Preaching to the People
Oil on canvas. 1626 - 1632
Carducho, Vicente
Stephen of Châtillon, Bishop of Diè, Preaching to the People
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Urban II Deliberates with Saint Bruno
Oil on canvas. 1626 - 1632
Carducho, Vicente
Urban II Deliberates with Saint Bruno
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Pope Alexander III Consecrates Anthelm of Chignin as Bishop of Belley
Oil on canvas. 1626 - 1632
Carducho, Vicente
Pope Alexander III Consecrates Anthelm of Chignin as Bishop of Belley
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Musician Angels Appear to Saint Hugo of Lincoln
Oil on canvas. 1632
Carducho, Vicente
Musician Angels Appear to Saint Hugo of Lincoln
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Saint Gregory the Great
Black chalk, Grey-brown wash on dark yellow paper. 1620 - 1634
Carducho, Vicente
Saint Gregory the Great
Black chalk, Grey-brown wash on dark yellow paper. 1620 - 1634
Carducho, Vicente

Perteneciente a un conjunto de cinco dibujos distintos de san Gregorio Magno; repartidos entre el Museo del Prado (D84 y D5989), la Biblioteca Nacional y uno que apareció en el mercado del arte parisino. Dilucidar cuál de ellos puede considerarse la cabeza de serie resulta complejo, sobre todo porque ninguno presenta la altísima calidad técnica de dibujos como el San Agustín (D2108). Aún así podem

Saint Nicholas of Bari
Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. First third of the XVII century
Carducho, Vicente
Saint Nicholas of Bari
Pencil ground, Grey-brown wash, Squared-up, White lead on yellow laid paper. First third of the XVII century
Carducho, Vicente

One of the venerated saints in the city of Madrid was Saint Nicholas of Bari. It is precisely within the devotional context of this saint that this drawing by Vicente Carducho should be studied. In the drawing, Saint Nicholas appears full-length, dressed in pontifical vestments and displaying all the elements of his position as ecclesiastical dignitary: the chasuble, the staff and the mitre. At hi

Saint Anselm
Black chalk, Pencil, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente
Saint Anselm
Black chalk, Pencil, Grey-brown wash, Squared-up, White lead on paper attached to canvas, yellow laid paper. 1620 - 1634
Carducho, Vicente

Dressed in a cape and adorned with staff and mitre, he holds a book between his hands. Angulo and Pérez Sánchez suggested the possibility that it could be Saint Augustine. However, he more closely resembles the bishop Saint Anselm of Canterbury (1033–1109), who defended the Immaculate Conception of the Virgin in his writings. When compared to the painting by Angelo Nardi Saint Anselm

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