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This painter from Burgos represents the transition from the international Gothic style in which he was formed to the hispano-flemish style, whose models he adapts with his personal manner. The three f [+]
This is the left panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). The painter, originally fro [+]
This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]
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The Virgin Mary, with the Christ Child on her lap, is worshiped by the Catholic Kings, Isabel (1451-1504) and Fernando (1452-1516), two of their children, and others. On the right of the composition, [+]
This painting is by a painter from the parish of San Román in Seville, who also painted the Calvary with a Donor for the city’s cathedral. As a devotional work, meant for personal meditation, i [+]
Ximénez employs a rare iconography for the Trinity here which shows all three figures in human form. God the Father and God the Holy Spirit, seated on a throne, hold Christ, represented as Salv [+]
The similarity of this painting to the work of the Segovian painter, the Maestro del Parral, author of the Saint Jerome in the Museo Lázaro Galdiano (Madrid), and its relation to the work of Jo [+]
This is the right panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). As is the norm in Xim&eacu [+]
This devotional, eucharistic image was the central panel in the predella of an altarpiece. Christ is depicted as the Man of Sorrows with the crown of thorns and displaying the wounds of his Crucifixio [+]
