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Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Judith and Holofernes
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Judith and Holofernes
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Adoration of the Magi
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Adoration of the Magi
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

[+]

The Visitation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Visitation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

[+]

The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Bartolomé

This is the only panel signed by this painter, who worked with Fernando Gallego on the former high altar of the cathedral of Ciudad Rodrigo (University of Arizona Museum of Art, Tucson, Arizona). It i [+]

Saint Gregory
Mixed method on panel. Ca. 1500
Nalda, Juan de
Saint Gregory
Mixed method on panel. Ca. 1500
Nalda, Juan de

The painter, of Riojan origin, completed his artistic formation with Jean Changenet in Avignon (doc. 1493). When he returned to Castile he worked in Palencia and Burgos. The simplification of volumes [+]

Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan
The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan

This painter from Burgos represents the transition from the international Gothic style in which he was formed to the hispano-flemish style, whose models he adapts with his personal manner. The three f [+]

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

This is the left panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). The painter, originally fro [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

Saint Vincent, Deacon and Martyr, with a Donor
Mixed method on panel. 1462 - 1466
Giner, Tomás
Saint Vincent, Deacon and Martyr, with a Donor
Mixed method on panel. 1462 - 1466
Giner, Tomás

This is the central panel of the altar piece in the archdeacon’s chapel in the cathedral of Zaragoza, built by Bernardo Villalba, archdeacon of this city, and Jaime Hospital, canon and archdeacon of B [+]

Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando
Christ Blessing
Mixed method on panel. 1494 - 1496
Gallego, Fernando

On his throne, wearing a red tunic and holding the globe of the World in his left hand, Christ offers his blessing with his right. He is flanked by figures representing the Church and the Synagogue an [+]

Duel with Cudgels, or Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Duel with Cudgels, or Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Assumption of the Virgin
Mixed method on panel transferred to canvas. Ca. 1490
Maestro de las Once Mil Vírgenes
The Assumption of the Virgin
Mixed method on panel transferred to canvas. Ca. 1490
Maestro de las Once Mil Vírgenes

[+]

The Annunciation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Annunciation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

[+]

The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

This is by the same artist as The Presentation (P-1257), although it has a more Germanic character on account of it being almost a copy of an etching by Martin Schongauer (c. 1435/50-1491) of the same [+]

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