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Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of Queen María Luisa
Oil on unlined canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was re [+]

The Painter Aureliano de Beruete
Oil on canvas. 1902
Sorolla y Bastida, Joaquín
The Painter Aureliano de Beruete
Oil on canvas. 1902
Sorolla y Bastida, Joaquín

The Painter Aureliano de Beruete is the most outstanding of all the portraits made by Sorolla. In this work he successfully combined the Velázquez inspiration that was a feature of his oeuvre d [+]

Samson and the Philistines
Oil on canvas. Ca. 1625
Procaccini, Giulio Cesare
Samson and the Philistines
Oil on canvas. Ca. 1625
Procaccini, Giulio Cesare

Samson freed himself from his chains and killed a thousand Philistines, enemies of the Israelites, using only the jawbone of an ass (Judges 15:15). Giulio Cesare was the son of the painter Ercole Proc [+]

Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando
Pietà
Mixed method on pine panel. 1465 - 1470
Gallego, Fernando

By all indications, this panel at the Museo del Prado with the signature FERNA[N]DO GALLEG[U]S is the earliest surviving work by that painter from Salamanca. While some scholars think he must have mad [+]

The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de
The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de

Morales here presents us with one of his most successful and heartwarming subjects, that of the Virgin and Child, although he also includes in this case the figure of the infant St John the Baptist, w [+]

Boys Drawing
Oil on canvas. 1890
Pinazo Camarlench, Ignacio
Boys Drawing
Oil on canvas. 1890
Pinazo Camarlench, Ignacio

As on many other occasions, the painter´s sons are his model for this work. In a barely-furnished room, the two brothers have fun together. José, the elder, leans on the table, drawing, while I [+]

Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y
Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y

The second half of the 16th century and the first decades of the 17th saw the rise in Spain of male bust portraits in which the model normally appears against a neutral background with no elements to [+]

Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)
Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)

Christ is presented as the Savior of the World, blessing humankind, between Saint John and the Virgin, who turn towards him. The three figures are shown three-quarters under arches with a complex goth [+]

Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)
Triptych of the Pietà, St John and St Mary Magdalene
Oil on panel. Ca. 1570
Morales, Luis de (And Workshop)

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

The Virgin Dolorosa
Oil on panel. 1560 - 1570
Morales, Luis de
The Virgin Dolorosa
Oil on panel. 1560 - 1570
Morales, Luis de

The Virgin Mary, turned slightly to the right, has her hands clasped in an imploring attitude, her gaze absent and her eyes flooded with tears. She wears a bluish-green robe, a violet tunic and a whit [+]

The Immaculate Conception
Oil on canvas. XVII century
Rizi, Francisco
The Immaculate Conception
Oil on canvas. XVII century
Rizi, Francisco

An extremely broad development certainly makes this one of the most ambitious and complex depictions of the Immaculate Conception ever painted in Madrid, as well as one of the finest by this painter. [+]

Saint Peter
Oil on canvas. Ca. 1632
Ribera, Jusepe de, lo Spagnoletto
Saint Peter
Oil on canvas. Ca. 1632
Ribera, Jusepe de, lo Spagnoletto

The keys in his right hand identify the figure as Saint Peter. A less common attribute is the book. To represent the saint, Ribera has used a real model with distinctive appearance, which make his san [+]

Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y

We see King Philip IV of Spain (r. 1621-1665) when he was around twenty years old in an austere image filled with references to his status and responsibilities and to the reformist intentions with whi [+]

Infanta Isabel Clara Eugenia
Oil on canvas. 1579
Sánchez Coello, Alonso
Infanta Isabel Clara Eugenia
Oil on canvas. 1579
Sánchez Coello, Alonso

The Infanta, Felipe II´s daughter, is portrayed at the age of thirteen. She stands with a distant and elegant gesture, in three-quarters, which was in keeping with a type of portraiture widely used am [+]

Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di
Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di

As frequently occurred in the cycle on the History of Ancient Rome commissioned for the decoration of the Buen Retiro Palace, Andrea di Lione drew elements of his painting from the abundant Antiquaria [+]

A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)
A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)

A model similar to this one appears in the Crown of Thorns at the Royal Museum of Fine Arts in Antwerp, specifically, the figure who is supposed to place the crown of thorns on Christ´s head. The figu [+]

Christ embracing Saint Bernard
Oil on canvas. 1625 - 1627
Ribalta, Francisco
Christ embracing Saint Bernard
Oil on canvas. 1625 - 1627
Ribalta, Francisco

This is one of Ribalta’s most beautiful compositions within his late output. The figure of Christ is adapted from the model devised by Sebastiano del Piombo in his Lamentation over the Dead Christ (Sa [+]

Charles II
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Charles II
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

The most characteristic depiction of Felipe IV towards the end of his life is a half-length one, wearing dark clothes with the emblem of the Order of the Golden Fleece around his neck and standing out [+]

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