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Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)
Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)

Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]

Air
Oil on canvas. 1675 - 1700
Anonymous
Air
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)
The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)

The saint’s figure, with long blond tresses, occupies the center of the scene. Gazing at the heavens, she crosses her hands across her bosom in prayer. Her worn clothing is enveloped in large floating [+]

Earth
Oil on canvas. 1675 - 1700
Anonymous
Earth
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)
Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)

By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]

Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous
Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous

Aún no se ha identificado a su autor; pero en algunos aspectos coincide con las obras salidas del taller de Joos van Cleve, que también colaboró con Patinir representando figuras para sus escenas de p [+]

The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)
The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

The Bronze Serpent
Oil on canvas. XVII century
Anonymous (Copy After Cornelisz. Van Haarlem, Cornelis)
The Bronze Serpent
Oil on canvas. XVII century
Anonymous (Copy After Cornelisz. Van Haarlem, Cornelis)

As Pieter J. van Thiel suggests, this painting may be a copy made after an engraving by Jan Muller (1590) of Cornelisz. van Haarlem`s original Fortune bestowing her Favours, today at the Musée [+]

Louis of France, the Grand Dauphin
Oil on canvas. 1700 - 1750
Anonymous (After Troy, François)
Louis of France, the Grand Dauphin
Oil on canvas. 1700 - 1750
Anonymous (After Troy, François)

The eldest son of Louis XIV and the Spanish Infanta María Teresa of Austria, Louis was born in 1661, receiving the title of Dauphin as heir to the French throne. Married to Maria Anna Victoria [+]

Saint John the Baptist
Oil on canvas. Early XVII - Primer tercio del siglo XVIII century
Anonymous (Copy After Reni, Guido)
Saint John the Baptist
Oil on canvas. Early XVII - Primer tercio del siglo XVIII century
Anonymous (Copy After Reni, Guido)

San Juan Bautista aparece representado de medio cuerpo. Pérez Sánchez considera que la obra es copia de un original de Guido Reni, aunque no conoce ningún original que pueda citarse claramente como pr [+]

The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)
The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Diógenes
Red chalk on dark yellow paper. XVII century
Anonymous (Circle Of Guercino (Giovanni Francesco Barbieri))
Diógenes
Red chalk on dark yellow paper. XVII century
Anonymous (Circle Of Guercino (Giovanni Francesco Barbieri))

En el dibujo se presenta una figura ante un fondo de paisaje, recostada en el suelo, con un cuenco en la mano. La obra, atribuida de antiguo a Guercino y publicada como tal, es, sin embargo, más tardí [+]

Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous
Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous

La Virgen desmayada es sostenida por San Juan, mientras la Magdalena (?), sujeta el cuerpo de Cristo, apoyado en el regazo de María. A la derecha las Marías restantes, sollozando.A pesar de la vieja a [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Anonymous
The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Anonymous

Dibujo en el que se representa a la Inmaculada en pie, sobre el creciente de la luna, mientras extiende sus brazos para ajustar sobre sus hombros un manto flotante. Ángeles niños a sus pies, y dos gru [+]

The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on dark yellow paper. XVIII century
Anonymous
The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on dark yellow paper. XVIII century
Anonymous

Dibujo en el que se representa a la inmaculada en pie, sobre el creciente de la luna, pisando la serpiente; las manos juntas y la cabeza alzada. Con dos figuras arrodilladas a sus pies, una de ellas c [+]

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