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Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y

We see King Philip IV of Spain (r. 1621-1665) when he was around twenty years old in an austere image filled with references to his status and responsibilities and to the reformist intentions with whi [+]

A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

The first known reference to this work dates from 1746, when an inventory of paintings at the La Granja Palace was drawn up. There, it is attributed to Velázquez and identified as a likeness of [+]

Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y
Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y

Mariana of Austria (1634-1696) was the daughter of the Emperor Ferdinand III and María of Hungary. It was intended that she marry her cousin, Prince Baltasar Carlos, but following his death she [+]

Diego del Corral y Arellano
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
Diego del Corral y Arellano
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Of the people with whom Velázquez must have had contact on a daily basis at the palace, many would have been high functionaries or skilled servants of the court. His own social aspirations incl [+]

Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y

This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]

Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y

This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]

Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Juan Martínez Montañés
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

A sculptor is shown modeling (possibly in wax) a head of Philip IV, making this one of the most important 17th-century Spanish portraits of an artist. Besides its impeccable quality, this work is a ve [+]

The Buffoon Barbarroja, Cristóbal de Castañeda y Pernia
Oil on canvas. 1633
Velázquez, Diego Rodríguez de Silva y
The Buffoon Barbarroja, Cristóbal de Castañeda y Pernia
Oil on canvas. 1633
Velázquez, Diego Rodríguez de Silva y

The model’s identity is known through the 1701 inventory of the Buen Retiro Palace, which lists a painting two-and-a-third rods high and one-and-a-half rods wide, which is another portrait of a buffoo [+]

Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y
Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y

Along with Philip IV and Velázquez, the third name intimately associated with the Buen Retiro Palace is Gaspar de Guzmán, Count-Duke of Olivares (1587-1645). When Philip IV took the thro [+]

The Buffoon El Primo
Oil on canvas. 1644
Velázquez, Diego Rodríguez de Silva y
The Buffoon El Primo
Oil on canvas. 1644
Velázquez, Diego Rodríguez de Silva y

The chromatic complexity, fluid brushstroke, location of the sitter in an undefined space and his direct gaze make this one of the portraits of dwarves by Velázquez that most directly connects [+]

Portrait of a Man
Oil on canvas. Ca. 1623
Velázquez, Diego Rodríguez de Silva y
Portrait of a Man
Oil on canvas. Ca. 1623
Velázquez, Diego Rodríguez de Silva y

The pragmatic of January 1623 that dictated a new dress code and has since been used to date what is thought to be the portrait of Pacheco can also be used as a guide for the present work, as the mode [+]

The Buffoon Juan de Austria
Oil on canvas. 1632
Velázquez, Diego Rodríguez de Silva y
The Buffoon Juan de Austria
Oil on canvas. 1632
Velázquez, Diego Rodríguez de Silva y

The sitter`s elaborate dress, the baton of command he holds in his right hand and the sword on which his left hand rest all indicate that he is a military figure. The military context in further sugge [+]

Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This was one of the paintings decorating the Hall of Realms at Madrid´s Buen Retiro Palace, where various discourses (territorial, mythological, military, and so on) combined to make up the decoration [+]

The Nun Jerónima de la Fuente
Oil on canvas. 1620
Velázquez, Diego Rodríguez de Silva y
The Nun Jerónima de la Fuente
Oil on canvas. 1620
Velázquez, Diego Rodríguez de Silva y

Born to a noble family in Toledo, sister Jerónima de la Fuente Yáñez was a Franciscan nun at the convent of Santa Isabel in her native city. In 1620, at the age of sixty-six, she [+]

Apostle’s Head
Oil on canvas. 1619 - 1620
Velázquez, Diego Rodríguez de Silva y
Apostle’s Head
Oil on canvas. 1619 - 1620
Velázquez, Diego Rodríguez de Silva y

Ever since this work was addressed by Velázquez’s bibliography, it has been considered a fragment from a larger painting that was part of an apostolate. That group would have included the apost [+]

Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y
Francisco Pacheco
Oil on canvas. Ca. 1620
Velázquez, Diego Rodríguez de Silva y

The second half of the 16th century and the first decades of the 17th saw the rise in Spain of male bust portraits in which the model normally appears against a neutral background with no elements to [+]

Antonia de Ipeñarrieta y Galdós and her Son, Luis
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
Antonia de Ipeñarrieta y Galdós and her Son, Luis
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Of the people with whom Velázquez must have had contact on a daily basis at the palace, many would have been high functionaries or skilled servants of the court. His own social aspirations incl [+]

Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y
Ferdinando Brandani
Oil on canvas. 1650
Velázquez, Diego Rodríguez de Silva y

This portrait dates from Velázquez`s second trip to Italy (1649-51). For many years the sitter`s identity was unknown but he has recently been identified as the banker Ferdinando Brandini (1603 [+]

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