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Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

The Surgeon, or The Extraction of the Stone of Madness
Oil on panel. 1550 - 1555
Hemessen, Jan Sanders Van
The Surgeon, or The Extraction of the Stone of Madness
Oil on panel. 1550 - 1555
Hemessen, Jan Sanders Van

A surgeon extracts a stone from a patient´s head. The scene takes place in an urban setting, probably a market. An aged helper holds the patient´s head, along with a youth, who prepares the unguents. [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

The Moneychanger and his Wife
Oil on panel. 1538
Reymerswaele, Marinus Van
The Moneychanger and his Wife
Oil on panel. 1538
Reymerswaele, Marinus Van

Moneychangers were controversial figures in early modern Antwerp and often associated with greed and usury. However, this painting may emphasize honesty and morality since it shows the moneychanger ca [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni
Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni

A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]

Cupid spurning Riches
Oil on canvas. Ca. 1654
Guercino (Giovanni Francesco Barbieri)
Cupid spurning Riches
Oil on canvas. Ca. 1654
Guercino (Giovanni Francesco Barbieri)

Guido Reni`s painting shows a young Cupid facing the viewer, with the seashore behind him, his left leg bent and left foot resting on a slab of stone. Cupid raises his left hand to a dove and with his [+]

Christ casting the Money Changers out of the Temple
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo
Christ casting the Money Changers out of the Temple
Oil on canvas. Ca. 1725
Panini, Giovanni Paolo

Panini depicts the New Testament episode of Christ expelling the traders and money-changers from the Temple. The canvas may be a preliminary sketch for a larger composition. It was acquired by Charles [+]

Cupid
Oil on canvas. 1637 - 1638
Reni, Guido
Cupid
Oil on canvas. 1637 - 1638
Reni, Guido

Guido Reni`s painting shows a young Cupid facing the viewer, with the seashore behind him, his left leg bent and left foot resting on a slab of stone. Cupid raises his left hand to a dove and with his [+]

Sight and Smell
Oil on canvas. Ca. 1620
Francken II, Frans; Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Sight and Smell
Oil on canvas. Ca. 1620
Francken II, Frans; Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This canvas and its companion, Taste, Hearing and Touch (P1404), represent the five senses embodied by female figures in palatial interiors. The sense of smell is conveyed by a woman holding flowers, [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1585
Bassano, Francesco
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1585
Bassano, Francesco

This replica by Francesco of the original painted by his father in 1583-85 (London, National Gallery no. 228) exemplifies how Jacopo´s inventions were transformed and adapted by the bottega, sometimes [+]

Casting the Money Changers out of the Temple
Oil on canvas. 1630 - 1640
Falcone, Aniello
Casting the Money Changers out of the Temple
Oil on canvas. 1630 - 1640
Falcone, Aniello

[+]

The Moneychanger and his Wife
Oil on panel. 1539
Reymerswaele, Marinus Van
The Moneychanger and his Wife
Oil on panel. 1539
Reymerswaele, Marinus Van

Seated at a table, the two characters count money with greedy expressions. The moneychanger wears bourgeois clothing, with fur cuffs and collar and a strange hat with a pendant. The woman wears a red [+]

Church in Flanders or The Mass
Oil on panel. 1618
Neefs, Pieter I
Church in Flanders or The Mass
Oil on panel. 1618
Neefs, Pieter I

In the seventeenth century, the chapels, naves and aisles of Catholic churches were filled with altarpieces donated by guilds and wealthy individuals. This meticulous depiction of the nave draws on el [+]

The Monkey Painter
Oil on panel. Ca. 1660
Teniers The Younger, David
The Monkey Painter
Oil on panel. Ca. 1660
Teniers The Younger, David

The teacher at this money school punishes one of the students while another seems to be interceding on his behalf. Behind, the rest of the students look on in fear from their tables. This is a critici [+]

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