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The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de
The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de

The Virgin Mary stands on the Moon, surrounded by clouds in an image that varies from the predominant approach to representations of the Immaculate Conception in Seville. Most such works emphasize dynamism, seeking immediately legible formulas and triumphal contents, but here, Valdés Leal proposes a more meditative approach through a more complex presentation. Mary’s ascent to heaven is not

A Procession Passing through the Cloister of San Juan de los Reyes, Toledo
Oil on canvas. Ca. 1892
Brockman y Llanos, Elena
A Procession Passing through the Cloister of San Juan de los Reyes, Toledo
Oil on canvas. Ca. 1892
Brockman y Llanos, Elena

In 1895, Elena Brockmann, a painter from Madrid who had studied first at the Academy of San Fernando and later under Joaquín Sorolla in Rome, became the first Spanish woman to submit a history painting to a National Exhibition. Three years earlier she had presented this costumbrista painting, in which a large number of figures are shown in a space with marked perspective. Her ambitious comp

Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro
Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro

This painting is of considerable interest as there are very few surviving works by this artist, who was a fine example of the last generation of great decorators from Madrid. The architectural setting is notable in its resemblance to Claudio Coello´s manner, as are the figures of the angels. The color scheme is warm but rather muted, with handsome yellows, ochers and grayish greens that are

Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de
Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de

Saint Barbara was a third-century Christian martyr imprisoned in a tower and later decapitated by her father, Dioscoro, as punishment for not wanting to marry and refusing to profess paganism. Goya depicts the saint with her various symbols, with a monstrance in her right hand and the palm frond of martyrdom in the left. She wears a crown as she was a princess. The tower is behind her, and a repre

The Corpus Christi Procession in Seville
Oil on canvas. 1857
Cabral y Aguado Bejarano, Manuel
The Corpus Christi Procession in Seville
Oil on canvas. 1857
Cabral y Aguado Bejarano, Manuel

Cabral depicts the famous monstrance made by Juan de Arfe in 1587 being carried in procession along calle Génova in Seville. The painting’s precise, detailed style allows the figure of the Infanta Luisa Fernanda, younger sister of Isabel II, to be identified, together with her husband the Duke of Montpensier and their eldest daughter, María Isabel de Orleans.

Saint Clare
Oil on panel. First third of the XVI century
Anonymous
Saint Clare
Oil on panel. First third of the XVI century
Anonymous

Saint Clare
Pencil, Grey-brown wash on yellow laid paper. Ca. 1652
Cano, Alonso
Saint Clare
Pencil, Grey-brown wash on yellow laid paper. Ca. 1652
Cano, Alonso

Saint Clare is depicted standing. In her left hand she holds a crosier, representing her authority as foundress of the Order of the Poor Ladies of Saint Clare. With her right hand, she raises a monstrance – one of the eucharistic attributes also associated with Saint Clare – and gazes at it attentively. There is little indication of landscape and horizon in the background; the absence of any other

St. Thomas Aquinas
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio
St. Thomas Aquinas
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampas del Museo del Prado.Probablemente fue grabada entre 1789, fecha en que se le revalidó el título de Grabador de Cámara de S.M. y 1795, en la que hace referencia a esta serie en su Autobiografía (Rodr

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