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Infernal Landscape
Oil on panel. Ca. 1565
Anonymous
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

The Temptations of Saint Anthony
Oil on oak panel. 1510 - 1515
Bosch, Hieronymus
The Temptations of Saint Anthony
Oil on oak panel. 1510 - 1515
Bosch, Hieronymus

This panel originally had an arched top and included a more open landscape with less leafy trees. At an unknown date the work must have suffered damage that affected the pictorial surface, resulting i [+]

The Immaculate Conception
Oil on canvas. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto
The Immaculate Conception
Oil on canvas. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto

[+]

The Temptations of Saint Anthony the Abbot
Oil on panel. 1647
Teniers The Younger, David
The Temptations of Saint Anthony the Abbot
Oil on panel. 1647
Teniers The Younger, David

[+]

Saint Michael Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra
Saint Michael Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra

Bearing a sword in his right hand, and a shield in his left, Saint Michael, dressed in red robes, attacks a dragon, the symbol of sin. The upper part of the composition shows three heavenly choirs whi [+]

Perseus freeing Andromeda
Oil on canvas. 1639 - 1641
Rubens, Peter Paul; Jordaens, Jacob
Perseus freeing Andromeda
Oil on canvas. 1639 - 1641
Rubens, Peter Paul; Jordaens, Jacob

As punishment for the vanity of Cassiopeia, who thought herself more beautiful than the Neriads, Poseidon, god of the seas, sent a monster to the kingdom of Ethiopia. Its fury could only be detained i [+]

Hercules and Cerberus
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and Cerberus
Oil on canvas. 1634
Zurbarán, Francisco de

Hercules is depicted here fighting with his club against Cerberus, the three-headed dog guarding the entrance to Hades, which lunges at him with its three ferocious mouths. According to the classical [+]

Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de

The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]

Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim
Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim

In addition to the originality of its subject, this painting by Patinir is also remarkable for its unusual composition within Patinir`s oeuvre. The artist has divided the space vertically into three z [+]

Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Philip II owned two pictures of this saint painted by Titian. The first can be identified with the portrait of Saint Margaret mentioned by the painter in a letter sent to the then Prince Philip on II [+]

Saint George and the Dragon
Oil on canvas. 1606 - 1608
Rubens, Peter Paul
Saint George and the Dragon
Oil on canvas. 1606 - 1608
Rubens, Peter Paul

According to Jacopo de la Voragine´s Golden Legend, Saint George slew the dragon that was terrorizing the people of Silene, saving a princess in peril. In this painting, the Christian hero rides a liv [+]

The Temptations of Saint Anthony the Abbot
Oil on canvas. XVII century
Teniers The Younger, David
The Temptations of Saint Anthony the Abbot
Oil on canvas. XVII century
Teniers The Younger, David

[+]

Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de

A lion was ravishing the region of Nemea and frightening its inhabitants to such a degree that they could no longer work the land. The Marquis of Villena’s Twelve Labors of Hercules, along with Juan P [+]

Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y
Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y

Chained to a boulder, Andromeda occupies the left side of the composition, while the right opens onto a seascape from which a monster emerges to threaten the mythological heroine. This episode is from [+]

Perseus Turning Phineus and his Warriors into Stone
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1537
Perino del Vaga
Perseus Turning Phineus and his Warriors into Stone
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1537
Perino del Vaga

In a note on the mount, Michael Hirst observed that this is Perino del Vaga´s copy after one of the figure groups in Polidoro da Caravaggio´s now destroyed fresco, painted on the facade of [+]

Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1806, Warrior with a shield, are companions and have remained together from at least as long ago as the late eighteenth century, when they were kept together in the same collecti [+]

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