Loading...
These four portraits of women, two double ones and two single ones (P02074, P02075 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]
Figura de más de medio cuerpo, en pie; lleva cruz de pedrería al cuello, pendiente de un collar de chatones, rubíes y perlas; diadema de pedrería; cuello y puños, de puntas; mangas de color gris verdo [+]
In this three-quarter length standing portrait, the unknown lady is wearing a rich, slashed dress with loose sleeves in the Turkish fashion, decorated with gold brocade; the dress is adorned with the [+]
Ha figurado como obra de Alonso Sánchez Coello. Repite el retrato, fechado en 1558, del Museo de Budapest, que se atribuye a Antonio Moro. Para su identificación se han barajado diversos nombres, ning [+]
La infanta Catalina Micaela fue la menor de las dos hijas habidas en el matrimonio del rey Felipe II con su tercera esposa, Isabel de Valois. Nació en Madrid en 1567. Junto a su hermana mayor, Isabel [+]
These four portraits of women, two double ones and two single ones (P02073, P02074 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]
While not absolutely certain, this is generally considered a self-portrait by Sánchez Coello, a pupil of Anthonis Mor and first court portraitist to Philip II. The artist deploys a detailed tec [+]
Maria of Austria, the daughter of Charles V and Isabella of Portugal, was born in 1528. In 1548 she married her cousin, the Archduke Maximilian. She reigned as empress from 1564 to 1576, and in 1580 r [+]
Born in 1507 after the death of her father, Felipe el Hermoso, the younger sister of Carlos V married Juan III of Portugal in 1525 and died in 1578. Gifted with an energetic character, she took on the [+]
Atribuido a Antonio Moro, carece de inscripciones o de un escudo que permita identificar a esta dama joven, retratada por el pintor de Utrecht con el porte que corresponde a la nobleza de su cuna como [+]
Purchased by Charles IV, this portrait entered the royal collections in 1814 and was already listed in the Museo del Prado’s catalogs in 1854 as a work by Juan de Juanes. The identity of the sitter ha [+]
A court portrait of Queen Anne (1549-1580), the daughter of Emperor Maximilian II (1527-1576) and Maria of Austria (1528-1603), married her uncle Philip II in 1570; their son later became Philip III ( [+]
This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]
The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]
The overall composition conforms to the type of portrait prevailing in Europe in the second half of the 16th century. The arrangement of the figure, slightly turned to the left in order to avoid a rig [+]
Pantoja de la Cruz continued the type of court portrait formulated by Sánchez Coello in the mid-sixteenth century. The severe, distant image projected by the sitter, possibly a servant in the A [+]
The king is portrayed in armour, beside a tent; the image is not particularly representative of the sitter, whose tastes tended more towards regal pomp and religious piety. The composition follows ear [+]
Floris was the most important history painter in Antwerp in the second half of the sixteenth century, only painting portraits on a few occasions. The sitters -Portrait of a Gentleman Aged 48 (P1516) a [+]
&imagen=https%3a%2f%2fcontent3.cdnprado.net%2fimagenes%2fDocumentos%2fimgsem%2f1a%2f1a84%2f1a84d5e7-f51c-47db-9b57-404b84e162e2%2f2beb7dd4-33c3-4d89-98c0-d8202e919cd8_268.jpg&idobra=1a84d5e7-f51c-47db-9b57-404b84e162e2){kind=link}
