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The Fruit Vendors
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto
The Fruit Vendors
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto

A poor student is handing over some coins to a fruit-seller as he makes a knot in the handkerchief, clinched in his teeth, to put away the change. On the right side, in the immediate foreground, a young man biting on a chunk of melon stares at us. He is holding a basket full of fruit, which, besides the melons on the left, is one of the most attractive parts of this splendid “still life with figur

Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)
Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)

Like its companion (P7906), this piece was acquired by the Museo del Prado with an attribution to Fernández el Labrador (doc. 1629-1657), a painter specialized in depictions of grapes. However, the similarity of both paintings to a canvas at the Museo Cerralbo (Madrid, Inv. no. 3898) on which Pret’s signature was discovered in 2013, explains its new attribution to that Flemish-born still-li

Cosme Algarra
Oil on canvas. 1870
Madrazo y Kuntz, Federico de
Cosme Algarra
Oil on canvas. 1870
Madrazo y Kuntz, Federico de

Retratado a sus 54 años, de busto y ante un fondo neutro, viste con indumentaria doméstica, sujeta su corbata con un alfiler y aparece cubierto por un grueso gabán. De gesto enérgico y temperamental, su escaso cabello, de incipientes canas en las sienes, le deja despejada la frente, luciendo poblado bigote y mosca. Mira al espectador con la boca apretada y el ceño ligeramente fruncido.Nacido en Ca

Two Bunches of Grapes
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)
Two Bunches of Grapes
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)

Like its pair (P7905), this canvas was acquired as a work by Juan Fernández el Labrador (documented 1629-57), who specialised in painting grapes. However, the similarities between the pair in the Prado and a canvas in the Museo Cerralbo (Madrid) on which Prets signature was discovered in 2013 have led to a new attribution to that artist of Flemish origin, a member of Philip IV´s guard of ar

Still Life with Sweetmeats and Glass Vessels
Oil on canvas. 1622
Hamen y León, Juan Van Der
Still Life with Sweetmeats and Glass Vessels
Oil on canvas. 1622
Hamen y León, Juan Van Der

A narrow board bears a small selection of objects and victuals worthy of a snack. Their volumes and qualities are defined by the light, making the various elements stand out on a very dark background. The perceptible influence of Sánchez Cotán and the knowledge of Italian tenebrist painting made this the most unanimously admired still life by Van der Hamen. The view of these sweets b

Portrait of a young Man
Marble. 161 - 170
Roman Sculptor
Portrait of a young Man
Marble. 161 - 170
Roman Sculptor

The sitter is depicted with a dense head of curly hair, a carefully trimmed beard, thin moustache, and a goatee beard between his mouth and chin. The young man’s elegant hairstyle imitates portraits of the Emperors Marcus Aurelius and Lucius Verus of 161 A. D. The military cloak indicates that the sitter had recently embarked on a military career.

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