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Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans
Triptych of the Adoration of the Magi
Oil on panel. 1470 - 1472
Memling, Hans

Comprising three panels, the Nativity, the Adoration of the Magi and the Presentation in the Temple, this painting is earlier than the triptych on the same subject painted by Memling for Jan Floreins [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

A Huntsman
Oil on panel. 1650 - 1653
Wouwerman, Philips
A Huntsman
Oil on panel. 1650 - 1653
Wouwerman, Philips

The original composition was enlarged on the right side with a section of wood of around 10.5 cm, glued against the grain. During the restoration carried out in 1994 it was noted that the preparation [+]

The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim
The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

The Adoration of the Magi
Oil on canvas. Ca. 1670
Rizi, Francisco
The Adoration of the Magi
Oil on canvas. Ca. 1670
Rizi, Francisco

These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]

Bridge over the Madrid Canal
Oil on canvas. 1784
Bayeu, Francisco
Bridge over the Madrid Canal
Oil on canvas. 1784
Bayeu, Francisco

Elegantly dressed nobles with swords, capes and sunshades join the lower-class majos and majas on the banks of the river Manzanares and indulge in gambling, dancing and fishing. This is a sketch for a [+]

The Snowstorm or Winter
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Snowstorm or Winter
Oil on canvas. 1786
Goya y Lucientes, Francisco de

An intense snowfall serves as Goya´s interpretation of winter, which is the subject of this composition. Along with this everyday representation, however, Goya introduces a social theme, as he often d [+]

Mule Train and Gypsies in a Forest
Oil on copperplate. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Mule Train and Gypsies in a Forest
Oil on copperplate. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

A group of travelers stop to rest, sitting together in the road. One of them speaks to a muleskinner, who leads a caravan of loaded mules. A very broad landscape unfolds on the left. In this painting, [+]

The Adoration of the Magi
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Adoration of the Magi
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

[+]

The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán
The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous
Miracle of Saint Anthony of Padua
Oil on panel. Ca. 1500
Anonymous

This panel depicts a miracle of Saint Anthony: the conversion of a heretic when he realised that a hungry mule refrained from eating a basket of barley with a consecrated Host on it. Sculpture is used [+]

The Adoration of the Magi
Oil on panel. 1460 - 1470
Master Of The Prado Adoration Of The Magi (Copy After Weyden, Rogier Van Der)
The Adoration of the Magi
Oil on panel. 1460 - 1470
Master Of The Prado Adoration Of The Magi (Copy After Weyden, Rogier Van Der)

The painting is a free copy of the central panel of the Columba Triptych by Rogier van der Weyden in Munich (Alte Pinakothek). The anonymous painter, whose style is close to Hans Memling and the Maste [+]

Carnival in Rome
Oil on canvas. 1653
Miel, Jan
Carnival in Rome
Oil on canvas. 1653
Miel, Jan

Acquired by Philip V for the Royal Palace of La Granja de San Idelfonso, where it appeared in a 1727 inventory, Carnival in Rome, 1653, is one of the best known paintings by Flemish artist Jan Miel. I [+]

The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de
The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de

This canvas presents one of the most persistent subjects in Pedro Orrente´s substantial output: the Nativity and the Adoration of the shepherds, a popular theme among seventeenth-century Spanish [+]

The Nativity
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
The Nativity
Oil on panel. Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

The Virgin Mary and Saint Joseph kneel in prayer beside the newborn Jesus. They are accompanied by three angels who arrange the Child´s swaddling clothes. Three Shepherds look in from outside th [+]

The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych
The Nativity Triptych
Tempera on panel. Ca. 1450
Master Of The Zarzoso Triptych

This triptych is by a northern painter who trained in the International Gothic style and was familiar with Netherlandish painting. The central panel depicts the Nativity; on the left are the Birth of [+]

The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de
The Milkmaid of Bordeaux
Oil on canvas. Ca. 1827
Goya y Lucientes, Francisco de

An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]

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