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The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Saint Bruno Encounters the Count of Sicily and Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente
Saint Bruno Encounters the Count of Sicily and Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

The Vision of Dionisio Rickel, The Carthusian
Oil on canvas. 1626 - 1632
Carducho, Vicente
The Vision of Dionisio Rickel, The Carthusian
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Witches' Sabbath, or the Great He-Goat
Oil on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Mary Magdalene, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Mary Magdalene, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Saint Bruno Refuses the Archbishopric of Reggio Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente
Saint Bruno Refuses the Archbishopric of Reggio Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Two Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

Right Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Right Spandrel of the Entry Arch, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The walls of the chapel are decorated with figures of angels, Apostles and evangelical scenes, and the front bears two biblical themes. Dome, center: God the Father held by four angels (P07269, P07270). Le

The Martyrdom of the Roermond Carthusians
Oil on canvas. 1626 - 1632
Carducho, Vicente
The Martyrdom of the Roermond Carthusians
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Asmodea
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Reading
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco
Saint Teresa of Avila in Glory
Oil on canvas. 1760 - 1770
Bayeu, Francisco

This is a preparatory sketch for a mural of Saint Teresa on clouds, accompanied by other Carmelite nuns. The saint is received by the Virgin, who points to the Holy Trinity. The composition reflects the influence of the Baroque style of Luca Giordano (1634-1705), modified by the aesthetic of Corrado Giaquinto (1703-1766).

Saint Bruno Appears to Rogerio Guiscardo, Count of Apulia and Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente
Saint Bruno Appears to Rogerio Guiscardo, Count of Apulia and Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Giandomenico Tiepolo was the elder of Giambattista’s two artist sons, and his closest collaborator. While training with his father prepared him to assist with his mural decorations, Giandomenico also established himself as an independent painter, with his own commissions. In 1762 he accompanied his father to Spain, where the latter had been commissioned to paint a fresco on the dome of the Throne

The Martyrdom of Fathers John Rochester and James Walworth
Oil on canvas. 1626 - 1632
Carducho, Vicente
The Martyrdom of Fathers John Rochester and James Walworth
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, and also because of their somber subject matter. The private and intimate character of that house allowed the artist to express himself with great liberty. He painted directly on the walls in what must

Vase of Flowers
Oil on canvas. 1694 - 1700
Belvedere, Andrea
Vase of Flowers
Oil on canvas. 1694 - 1700
Belvedere, Andrea

Towards the edges of two moulded stone shelves rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, a group of minute cherubs that support the upper section like dynamic Atlanteans (P549). These bases bear prodigious bouquets that are skilfully arranged with contrasting textures and colours that generate a marve

Basil of Burgundy Appears to his Disciple, Hugo de Lincoln
Oil on canvas. 1632
Carducho, Vicente
Basil of Burgundy Appears to his Disciple, Hugo de Lincoln
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Bruno and its leading members. This colossal undertaking sought to visually narrate numerous episodes from the Carthusians’ history and tradition. It was the most complete commission ever dedicated to t

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