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The Education of Achilles
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)
The Education of Achilles
Oil on panel. 1630 - 1635
Rubens, Peter Paul (And Workshop)

A model for the tapestry on the same subject that belongs to a series of eight about the Greek hero. The Story of Achilles is smaller than other projects by Rubens, but the quality of its sketches, mo [+]

The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de
The Marchioness of Santa Cruz
Oil on unlined canvas. 1805
Goya y Lucientes, Francisco de

Joaquina Téllez-Girón y Pimentel (1784-1851) was the daughter of the Duke and Duchess of Osuna and Marchioness of Santa Cruz by her marriage to José Gabriel de Silva y Walstein in [+]

Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca
Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca

The vault of the former Hall of Ambassadors at the Buen Retiro Palace, constructed alongside the former Royal Quarters of San Jerónimo at the behest of the Count-Duke of Olivares as a royal res [+]

Parnassus
Oil on canvas. 1630 - 1631
Poussin, Nicolas
Parnassus
Oil on canvas. 1630 - 1631
Poussin, Nicolas

Parnassus, the mythological mountain of Apollo and the Muses is the scene for a celebration of the Arts, especially Poetry. Apollo offers the nectar of the gods to a poet, probably Homer, who is crown [+]

Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis
Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis

La composición del dibujo se enmarca en un óvalo. En él se representa en pie a Pandora, apoyada en una caja de forma de urna con la llave en la mano derecha, con la cabeza doblada, pensativa, sobre la [+]

The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Clío
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

Apollo and the Muses
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Último cuarto del siglo XVI - XVII century
Balducci, Giovanni
Apollo and the Muses
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Último cuarto del siglo XVI - XVII century
Balducci, Giovanni

Although published by Perez Sanchez as Naldini in 1978, a recent note on the modern museum mount in the hand of Mario di Giampaolo rightly suggests this drawing is by his pupil and close follower Bald [+]

Roman Woman
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Roman Woman
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Terpsichore
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Athena Promachos
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Athena Promachos
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Calliope
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Polymnia
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Polymnia
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Pensive Muse
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Pensive Muse
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Talía
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
Euterpe
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

The Muse Erato
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio
The Muse Erato
Pencil on paper. Mid-XVIIIcentury
Ajello, Eutichio

This drawing belongs to the Ajello Sketchbook, a group of fifty-nine unbound pencil drawings that were models for engraving to illustrate a descriptive calendar of sculptures that Philip V and his wif [+]

Muse
Marble. 150 A.C. - 125 a.C.
Greek Sculptor
Muse
Marble. 150 A.C. - 125 a.C.
Greek Sculptor

This Greek statue of a Muse shows her wearing the high cothurni of the theatre on her feet, and she may have originally carried an instrument in her left arm. The dress she wears, a long chiton with a [+]

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