The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

RDF
Refine results
8 results
Portrait of a Gentleman
Oil on canvas. Ca. 1870
Ferrant, Alejandro
Portrait of a Gentleman
Oil on canvas. Ca. 1870
Ferrant, Alejandro

Holding his spectacles in his right hand, the subject of this portrait gazes at the viewer. He has momentarily left the composition he is working on, which is dated 1844 and is partially legible. It is precisely this element that enabled the subject to be identified as Urbano Aspa (C. Díaz Pascual 2015), a composer of religious music who was also a close friend of the painter’s family. In t

The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Called Master Of Sigena)
The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Called Master Of Sigena)

The scene comes from the main altarpiece of the monastery of Sijena (Huesca), a set formed by more than thirty panels that were dispersed in the 18th century. The composition, the figurative monumentality, the colouring and the architecture with Italian resonances point us towards Central European painting. The artist was recently identified as Rodrigo de Sajonia, who was living at the monastery w

The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)
The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)

Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacchus that a stream flows with wine. Gods, men and children unite in the celebration of the effects of wine, whose consumption, in Philostratus´ words, makes men rich, dominant, generous to their friend

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza is known for his portraits of the royal family and of aristocrats and intellectuals from the period, and is now regarded as an estimable and discrete painter with a precise, austere style, although som

Félix Máximo López, First Organist of the Royal Chapel
Oil on canvas. 1820
López Portaña, Vicente
Félix Máximo López, First Organist of the Royal Chapel
Oil on canvas. 1820
López Portaña, Vicente

This portrait of Félix Máximo López Crespo (1742 - 1821), the first organist of the Royal Chapel and a notable musician and composer, was commissioned by his eldest son, Ambrosio López. A formal work that emphasizes the sitter´s category through a series of details, especially the red and blue uniform of his job at the palace, the braid on the cuffs of his dress coat th

Concert of Birds
Oil on canvas. 1629 - 1630
Snyders, Frans
Concert of Birds
Oil on canvas. 1629 - 1630
Snyders, Frans

In the composition, an owl on a branch directs a chorus of fifteen other types of birds while holding a score between its feet. Such images of different species of birds perched on tree trunks, sometimes with musical scores, were known as Concerts of birds and were popularized by Flemish artists in the early decades of the 17th century, especially Frans Snyders. They were quite common at that time

The Andrians
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Zöllner, Ludwid Theodor; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Andrians
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Zöllner, Ludwid Theodor; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Ludwid Theodor Zöllner (1796?-1860) que reproduce el óleo de Tiziano conservado en el Museo Nacional del Prado (P00418). Esta estampa se entregaba con el cuadernillo CL acompañado de un texto explicativo de José Musso y Valiente. Está encuadernada en el tomo III de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando V

The Andrians
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Zöllner, Ludwid Theodor; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Andrians
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Zöllner, Ludwid Theodor; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Ludwid Theodor Zöllner (1796?-1860) que reproduce el óleo de Tiziano conservado en el Museo Nacional del Prado (P00418). Esta estampa se entregaba con el cuadernillo CL acompañado de un texto explicativo de José Musso y Valiente. Está encuadernada en el tomo III de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando V

Up