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Portrait of Mariana of Austria, daughter of Emperor Leopold I
Oil on canvas. Ca. 1695
Anonymous
Portrait of Mariana of Austria, daughter of Emperor Leopold I
Oil on canvas. Ca. 1695
Anonymous

La retratada ha sido identificada por E. Puerto Mendoza (2020) con la archiduquesa María Ana de Austria (1683-1754), hija del emperador Leopoldo I y de Leonor de Neoburgo, lo que la convertía en sobrina de la reina de España Mariana de Neoburgo. Esta soberana probablemente lo exhibió en la galería de retratos familiares que tenía instalada en su cuarto de verano del Alcázar de Madrid. En su edad a

The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the elder.” Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido
The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido

En el centro, la Virgen coronada por dos angelitos, rodeada por la corte celestial. Abajo, ángeles músicos en las esquinas. El tema, para el cual se conocen algunos dibujos, fue muy trabajado por Guido en sus primeros años, con una cierta influencia de Aníbal Carracci en las formas torneadas de sus ángeles y en una monumentalidad grandiosa, que no es habitual en sus composiciones. Se conocen tres

The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello
The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello

Falcone painted the figures in this painting; the Neapolitan specialist Luca Forte probably painted the vase of flowers on the left. It looks like a portrait gallery of real people, one of whom -the bearded man on the right- appears in other paintings by Falcone. The painting comes from the collection of the Duke of Medina de las Torres, viceroy of Naples between 1637 and 1644.

Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van
Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early inventories they are described as een boertje, (a little peasant), or as toeback rookerchen, (tobacco smokers). The consolidation and appreciation of this genre was fostered by the satirical and morali

Pedro Benítez and his Daughter María de la Cruz
Oil on canvas. Ca. 1820
Tegeo Díaz, Rafael
Pedro Benítez and his Daughter María de la Cruz
Oil on canvas. Ca. 1820
Tegeo Díaz, Rafael

In this portrait, Pedro Benítez sits informally on a chair, resting his left arm on its back while gazing frankly and directly at the viewer with whom he establishes an empathetic relationship. He is dressed in the fashion of the reign of Ferdinand VII, with a marvellous cravat emerging from his vest and a book in his right hand. Beside him, standing, is his daughter María de la Cruz

The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

A passage from the New Testament (Luke I, 26-38) that tells of the annunciation of the Virgin´s motherhood by the Archangel Gabriel and the incarnation of Christ in Mary by the Holy Ghost in the form of a dove. The burning bush, which appeared to A passage from the New Testament (Luke I, 26-38) that tells of the annunciation of the Virgin´s motherhood by the Archangel Gabriel and the incarnation o

The Duchess of Abrantes
Oil on canvas. 1816
Goya y Lucientes, Francisco de
The Duchess of Abrantes
Oil on canvas. 1816
Goya y Lucientes, Francisco de

Dressed in French fashion from the second decade of the nineteenth century and wearing a stylish floral diadem on her head, the duchess holds a piece of music in her hands, alluding to her love of music and singing. This is Goya´s last known portrait of an aristocratic lady. Its vibrant, rapid technique still recalls the affected, multicolored portraits from the eighteenth century, but its way of

Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortuny depicts one of the musical evenings that he attended in Madrid during the summer of 1866 at his friend and former classmate, Catalan painter Francisco Sans y Cabot’s studio at no. 13, calle Flor Ba

Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph
Disordered Table with trompe l’oeil Paintings, a Hurdy-Gurdy, Books and Other Objects
Oil on canvas. 1781
Flipart, Charles-Joseph

This is the preparatory cartoon for the inlaid hardstone tabletop (O0214). The motifs of paintings and books refer to the Liberal Arts, while the hurdy-gurdy is based on a model by Pierre Louvet.

The Annunciation
Oil on panel. XVI century
Anonymous
The Annunciation
Oil on panel. XVI century
Anonymous

Young Violinist
Oil on canvas. XVII century
Anonymous
Young Violinist
Oil on canvas. XVII century
Anonymous

This painting was first included in the 1873 edition of the Museo del Prado catalogue, which states that it was rescued from the fire at the Alcázar Palace in Madrid in 1734. However, it is not listed in the inventory of the salvaged works. Hymans assumes it to be an original by Carel Fabritius (1614-1654) or even by Rembrandt (1606-1669). It is the work of a Caravaggist of Utrecht, possibl

The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro
The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro

Within Núñez del Valle’s relatively small surviving output, this composition, which is one of his most typical and best known, reveals both his affinities with Caravaggio’s tenebrist style and with a classicising idealisation that brings him close to painters such as Bartolomeo Cavarozzi and Cecco del Caravaggio. Part of the composition is based on an engraving by the fifteenth-centu

Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás
Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás

This altarpiece consists of nine large panels plus the eighteen that make up the predella. The main scene is The Virgin with the Christ Child surrounded by Angel Musicians, which is completed with five scenes from the lives of Christ and the Virgin in the right and central areas, and three scenes from the life of Saint Francis, in the left area. All of them are framed with gothic ogee tracery. Sty

Three Strolling Musicians
Oil on panel. 1645 - 1650
Jordaens, Jacques
Three Strolling Musicians
Oil on panel. 1645 - 1650
Jordaens, Jacques

A bust depiction of three street musicians. The first plays a flute while the other two sing from sheet music held by one of them. The sketchy rendering and vigorous brushstrokes mark this as a preliminary study. However, as no known work of Jordaens uses similar figures, his authorship has long been in doubt. The very loose rendering and large amount of paint in the brushstrokes of the flesh tone

The Triumph of David
Oil on canvas. XVII century
Bocanegra, Pedro Atanasio
The Triumph of David
Oil on canvas. XVII century
Bocanegra, Pedro Atanasio

David appears with Goliath´s head. Four women occupy the right side of the composition, one dancing with a tambourine and the other three accompanying her with singing and, at the right end of the canvas, a baroque guitar. The figure next to the guitarist appears to be looking attentively at the score, which is nonetheless partially covered by the instrumentalist´s arm. The third leans

The Coronation of the Virgin
Mixed method on panel. Ca. 1490
Maestro de las Once Mil Vírgenes
The Coronation of the Virgin
Mixed method on panel. Ca. 1490
Maestro de las Once Mil Vírgenes

Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van
Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van

In the Place du Grand Sablon in Brussels various groups of magistrates, confraternities, religious orders and leading citizens march with a statue of the Virgin and the reliquary of Saint Juliana of Nicomedia. The painting is part of a series commissioned from Van Alsloot by Albert of Austria and Isabel Clara Eugenia, governors of the Spanish Netherlands, to mark various festivities that took plac

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