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Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero

This work belongs to a series inspired by passages from Don Quixote portrayed with the same satirical humour as in Cervantes´text. The famous knight, seated at a table, is served by innkeepers in a pa [+]

Don Quixote Dubbed a Knight
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote Dubbed a Knight
Oil on canvas. Ca. 1720
Iriarte, Valero

The scene, with a distinctly genre flavour, depicts a passage from Don Quixote by Miguel de Cervantes (1547-1616). The main figure, wearing armour, kneels awaiting to be dubbed a knight; the amusing f [+]

Memories of Granada
Oil on canvas. 1881
Muñoz Degrain, Antonio
Memories of Granada
Oil on canvas. 1881
Muñoz Degrain, Antonio

Torrential rain falls on one of the most picturesque areas of the city of Granada, where the Darro River runs alongside the street leading to the Generalife neighborhood. The choice of this city for a [+]

Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)
Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)

Purchased by Charles IV, this portrait entered the royal collections in 1814 and was already listed in the Museo del Prado’s catalogs in 1854 as a work by Juan de Juanes. The identity of the sitter ha [+]

The Legend of the Monk King
Oil on canvas. 1880
Casado del Alisal, José
The Legend of the Monk King
Oil on canvas. 1880
Casado del Alisal, José

Traditionally known as The Bell of Huesca, this painting depicts one of the most terrifying events in the history of Medieval Spain. Ramiro II of Aragon decapitated all the noblemen who had dared to c [+]

Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Burial of the Constable Don Álvaro de Luna
Oil on canvas. 1858
Cano de la Peña, Eduardo
Burial of the Constable Don Álvaro de Luna
Oil on canvas. 1858
Cano de la Peña, Eduardo

This painting shows the moment when the corpse of the favourite of John II of Castile is publicly displayed after his execution. Don Alvaro de Luna was a figure retrieved by 19th century culture as a [+]

Burial of the Constable Don Álvaro de Luna (sketch)
Oil on canvas. 1858
Cano de la Peña, Eduardo
Burial of the Constable Don Álvaro de Luna (sketch)
Oil on canvas. 1858
Cano de la Peña, Eduardo

This preparatory sketch for its artist’s most renowned history painting (P4262) shows the moment when the corpse of the favourite of John II of Castile is publicly displayed after his execution. Luna [+]

Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de
Carolina Coronado
Oil on canvas. Ca. 1855
Madrazo y Kuntz, Federico de

The writer Carolina Coronado (1820-1911) was a leading Romantic poet and a staunch advocate of education for women. Her sensitive, melancholy nature is conveyed here with delicate precision. The metic [+]

This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

The title indicates the continuity between this composition and he preceding one of the series, Strange Devotion, where a group of people are shown venerating a sacred mummy being carried by a donkey. [+]

Strange Devotion!
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 66, Strange Devotion! In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men i [+]

Strange Devotion!
Etching, Aquatint, Burnisher on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Etching, Aquatint, Burnisher on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men in his band of criminals, who, despite being thieves, “were man of [+]

Esta no lo es menos
Drypoint, Etching, Aquatint, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Esta no lo es menos
Drypoint, Etching, Aquatint, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Miguel de Cervantes, en su novela Rinconete y Cortadillo (1613) mencionaba en boca de Monipodio a dos viejos de su banda que, pese a dedicarse al hurto, "eran hombres de mucha verdad, y muy honrados, [+]

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