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Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)
Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)

The painting is based on an iconographic model created by the painter’s father, Dirk Bouts, but interpreted with greater intensity and realism due to the influence of Hugo van der Goes. The image was [+]

Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous
Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous

Cristo camina de frente mientras que dos ángeles niños, llorosos, le flanquean.De mediados de siglo. Es posible que el dibujo reproduzca una imagen de culto en su altar. (Texto extractado de Pérez Sán [+]

The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado
The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado

A group of sorrowful figures is illuminated by the rays of divine light which pierce the darkness that fell with the death of Christ, shown lying in his mother’s lap and anointed by Mary Magdalene. Th [+]

The Crowning with Thorns
Oil on canvas. XVII century
Sacchi, Andrea (Copy After Carracci, Annibale)
The Crowning with Thorns
Oil on canvas. XVII century
Sacchi, Andrea (Copy After Carracci, Annibale)

[+]

Holy Face
Silver. XIX century
Anonymous
Holy Face
Silver. XIX century
Anonymous

This splendid locket, made of embossed silver, depicts an image of the Holy Face of Christ on a gold background surrounded by some of the attributes of the Passion on the front: the crown of thorns, n [+]

Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado
Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado

Shortly after his arrival in Spain in 1753, Giaquinto embarked on a series of eight canvases on scenes from the Passion for the King’s Oratory in the Buen Retiro Palace in Madrid. The series also incl [+]

Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen
Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen

Wearing the crown of thorns, Jesus sits on Golgotha with his hands tied to the cross. The path to Calvary is visible in the left middle ground at the gates of Jerusalem. On the right, the followers ap [+]

Pietà
Oil on panel. Ca. 1528
Benson, Ambrosius
Pietà
Oil on panel. Ca. 1528
Benson, Ambrosius

[+]

Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman
Angel with Christ’s Cross
Walnut. 1425 - 1435
Maes, Tydeman

This pair of angels with instruments of the Passion (E00493, E00711) was sculpted for export by Maes in Bruges, as the rare signatures on the reverses indicate. The pair comes from a church in norther [+]

The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando
The Eucharistic Christ
Oil on panel. 1520 - 1530
Yáñez de la Almedina, Fernando

The composition derives from a lost work by Leonardo repeated by Yáñez on two other occasions with some variants. Here he includes a chalice and a consecrated Host, a Eucharistic referen [+]

Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional
Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservado en el Museo Nacional del Prado (P437). Felipe II emparejó este Ecce-Homo con la Dolorosa con las manos abi [+]

The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de José de Ribera conservado en el Museo Nacional del Prado (P01069). Esta estampa se entregaba con [+]

The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de José de Ribera conservado en el Museo Nacional del Prado (P01069). Esta estampa se entregaba con [+]

Christ the Saviour
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio
Christ the Saviour
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Ecce Homo
Taille douce: etching and engraving on continuous paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional
Ecce Homo
Taille douce: etching and engraving on continuous paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservada en el Museo Nacional del Prado (P00437). Felipe II emparejó este Ecce-Homo con la Dolorosa con las manos a [+]

The Trinity
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Trinity
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de José de Ribera conservado en el Museo Nacional del Prado (P01069). Esta estampa se entregaba con [+]

Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco
Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco

This is a very significant example of Camilo´s skill at representing uncommon narrative events. It presents one of the episodes in the story of desecration and offense to a crucifix by a family of Por [+]

The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Trinity
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de José de Ribera conservado en el Museo Nacional del Prado (P01069). Esta estampa se entregaba con [+]

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