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Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del

Jerónimo Vich y Valterra (1459-1535) was Spain’s ambassador to Rome between 1506 and 1521, under the reigns of Ferdinand the Catholic and Charles V. Vich commissioned Sebastiano del Piombo to p [+]

Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado
The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado

A group of sorrowful figures is illuminated by the rays of divine light which pierce the darkness that fell with the death of Christ, shown lying in his mother’s lap and anointed by Mary Magdalene. Th [+]

The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Supported by an angel and accompanied by a youthful angel holding the crown of thorns, the dead Christ lies on the orb of the world before God the Father and the dove of the Holy Spirit. The expressiv [+]

Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo
Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo

Lorenzo Lotto`s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée du Louvre, Paris, 1506) and by young Raphael (M [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca
Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]

The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

Christ rests, lifeless, on his own shroud. He is held by his Mother, who looks imploringly to the heavens. Mary Magdalene kisses his hand while Saint John contemplates the scene from behind. The Crown [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de
The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de

Goya expresses the greater importance of this composition through the larger size of the figures, compared to its companion work, Tobias and the Angel (P07856). The wood shavings on the floor indicate [+]

Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado
Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado

Shortly after his arrival in Spain in 1753, Giaquinto embarked on a series of eight canvases on scenes from the Passion for the King’s Oratory in the Buen Retiro Palace in Madrid. The series also incl [+]

The Dead Christ supported by an Angel
Oil on canvas. 1646 - 1652
Cano, Alonso
The Dead Christ supported by an Angel
Oil on canvas. 1646 - 1652
Cano, Alonso

Cano lived in Madrid on two different occasions. The first (1638-1651), during which he was able to study the Royal Collection, absolutely transformed his concept of color and brushstrokes. Contact wi [+]

Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del

Piombo was the Italian painter most in demand by Spanish clients during the first half of the sixteenth century. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commiss [+]

The Crowning with Thorns
Oil on panel. 1540 - 1545
Correa de Vivar, Juan
The Crowning with Thorns
Oil on panel. 1540 - 1545
Correa de Vivar, Juan

Dentro de los encargos realizados por Correa para el antiguo monasterio de padres bernardos de San Martín de Valdeiglesias, se halla un grupo de tres tablas con escenas relativas al ciclo de la pasión [+]

Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Christ carrying the Cross
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Renaissance painting abounds with representations of Christ bearing the cross on the road to Calvary, either as an isolated figure, or with an executioner assailing him, or accompanied by soldiers, cu [+]

Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus
Triptych of the Adoration of the Magi
Grisaille, Oil on oak panel. 1494
Bosch, Hieronymus

The theme of this triptych is the advent of salvation -a message about the universality of Redemption. The Eucharistic meaning inherent in the theme of Saint Gregory’s Mass is also found in The Adorat [+]

Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)
Head of Christ
Oil on panel. 1500 - 1525
Bouts, Albrecht (Attributed To)

The painting is based on an iconographic model created by the painter’s father, Dirk Bouts, but interpreted with greater intensity and realism due to the influence of Hugo van der Goes. The image was [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

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