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Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]

Saint John the Baptist
Oil on canvas. Ca. 1730
Solimena, Francesco
Saint John the Baptist
Oil on canvas. Ca. 1730
Solimena, Francesco

San Juan Bautista aparece de medio cuerpo junto al Agnus Dei y portando en su mano izquierda el hitón, ambos como atributos de este personaje. Se trata de una obra característica de este artista, tant [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco
Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco

Toward the end of the 17th century, Saint Francis’s iconography expanded as many of the classical biographic themes were replaced with more complex episodes -especially trance visions- mystical ecstas [+]

The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de
The Immaculate Conception
Oil on canvas. 1682
Valdés Leal, Juan de

The Virgin Mary stands on the Moon, surrounded by clouds in an image that varies from the predominant approach to representations of the Immaculate Conception in Seville. Most such works emphasize dyn [+]

Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)
Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)

Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]

Saint John the Evangelist
Oil on panel. Ca. 1608
Pacheco, Francisco
Saint John the Evangelist
Oil on panel. Ca. 1608
Pacheco, Francisco

Esta obra formaba parte del retablo de doña Francisca de León en la iglesia del convento sevillano del Santo Ángel, junto con P01022, P01023 y P01023, que el pintor contrató en 1605. Ingresaron en el [+]

Stephen of Châtillon, Bishop of Diè, Preaching to the People
Oil on canvas. 1626 - 1632
Carducho, Vicente
Stephen of Châtillon, Bishop of Diè, Preaching to the People
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]

Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host, flanked by two Old Testament figures: King Melchizedek, bearing bread an [+]

The Baptism of Christ
Oil on panel. 1575 - 1580
Schwarz, Christoph
The Baptism of Christ
Oil on panel. 1575 - 1580
Schwarz, Christoph

Formerly attributed to Lambert Sustris, this panel is now given to the German painter Schwarz. Both these northern European artists worked in Venice in Titian’s studio (Schwarz between 1570 and 1573), [+]

The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente
The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente

The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]

Saint Bruno Prays in La Torre, Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente
Saint Bruno Prays in La Torre, Calabria
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Altarpiece of Archbishop Sancho de Rojas
Tempera on pine panel. 1415 - 1420
Rodríguez de Toledo, Juan
Altarpiece of Archbishop Sancho de Rojas
Tempera on pine panel. 1415 - 1420
Rodríguez de Toledo, Juan

This is a large gothic altarpiece. Its central panel depicts the Virgin with Child, and behind them, four angels hold the brocade backdrop while four others play musical instruments. Saint Benedict an [+]

Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban
Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban

While meditating on which of the two to focus his devotions, Christ on the cross and the Virgin appeared to Saint Augustine. Christ offered him the blood from the wound in his side, while Mary rewarde [+]

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