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Saint James the Elder is depicted as a pilgrim, with his customary crozier or staff, although here it lacks the customary calabash for water. He wears a cape and a hat with the scallop shell that symb [+]
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The painter, of Riojan origin, completed his artistic formation with Jean Changenet in Avignon (doc. 1493). When he returned to Castile he worked in Palencia and Burgos. The simplification of volumes [+]
Luis de Carvajal was a Toledan painter who trained in Rome and subsequently at El Escorial, a flourishing centre for Spanish painting in the first half of the seventeenth century. The manner in which [+]
San Juan Bautista aparece de medio cuerpo junto al Agnus Dei y portando en su mano izquierda el hitón, ambos como atributos de este personaje. Se trata de una obra característica de este artista, tant [+]
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Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]
Antonio María Esquivel´s work provides, undoubtedly, the best example of the unique symbiosis achieved in Spanish religious painting from the romantic period, combining the powerful tradition o [+]
Saint Peter lies in prison where his sleep is interrupted by an angel who frees him. This subject allows Ribera to create a work in which he can show the very best of his mature style. The work combin [+]
Shortly after his arrival in Spain in 1753, Giaquinto embarked on a series of eight canvases on scenes from the Passion for the King’s Oratory in the Buen Retiro Palace in Madrid. The series also incl [+]
Standing on clouds at the center of the composition, Moses points toward the sunbeams shining down from the sky. Beneath him, Abraham and Isaac are accompanied by the sacrificial lamb. To the left of [+]
