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The Immaculate Conception
Oil on canvas. Second half of the XVII century
Anonymous
The Immaculate Conception
Oil on canvas. Second half of the XVII century
Anonymous

[+]

Christ the Saviour
Oil on panel. Ca. 1510
Anonymous
Christ the Saviour
Oil on panel. Ca. 1510
Anonymous

[+]

The penitent Saint Jerome
Oil on panel. XVI century
Anonymous
The penitent Saint Jerome
Oil on panel. XVI century
Anonymous

[+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Dibujo de un Cristo crucificado muy torpe y desproporcionado, como estudio de principiante. De técnica derivada de la de Bayeu. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous
The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous

Dibujo en el que se representa a la Virgen del Rosario lujosamente vestida, con rostrillo y corona, lleva el Niño sobre el brazo izquierdo y con la derecha sostiene un rosario y unas flores.En la mism [+]

Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado de frente, con cuatro clavos y fondo de arquitectura. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Dibujos Españoles. Si [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous
Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous

Dibujo en el que se representa, en un fondo con paisaje, a San Francisco arrodillado en primer término ante el Crucifijo. La obra enlaza con el círculo de los seguidores de Annibale Carracci (Texto ex [+]

The Martyrdom of Saint Agnes
Pencil, Grey-brown wash on dark yellow paper. XVII century
Anonymous (Copy Domenichino (Domenico Zampieri))
The Martyrdom of Saint Agnes
Pencil, Grey-brown wash on dark yellow paper. XVII century
Anonymous (Copy Domenichino (Domenico Zampieri))

El dibujo es una copia literal del lienzo de Domenichino conservado en la pinacoteca de Bolonia, encargado al artista entre 1617 y 1621 para el convento de Santa Inés, aunque lo debió de terminar ya e [+]

The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous
The Agony in the Garden
Black chalk, Pencil, Grey wash, Grey-brown ink on dark yellow paper. XVII century
Anonymous

La composición, terminada en una forma mixtilínea, representa en primer término, Jesucristo arrodillado se apoya en unas rocas; a su izquierda un ángel volando, le ofrece el cáliz. (Texto extractado d [+]

Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous
Christ carrying the Cross
Red chalk on yellow laid paper. Mid-XVIIcentury
Anonymous

Cristo camina de frente mientras que dos ángeles niños, llorosos, le flanquean.De mediados de siglo. Es posible que el dibujo reproduzca una imagen de culto en su altar. (Texto extractado de Pérez Sán [+]

The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous
The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous

El dibujo representa a Cristo sentado en el centro y a ambos lados dos sayones que le colocan la corona de espinas mientras que al fondo dos personajes asisten a la escena. No es aceptable la antigua [+]

The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous
The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous

En la parte baja, San José sentado sobre un sepulcro, sostiene al niño Jesús sobre sus rodillas; ante el dos ángeles le muestran una corona de espinas y el paño de la Verónica. Al fondo, la Virgen. En [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

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