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Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del

Jerónimo Vich y Valterra (1459-1535) was Spain’s ambassador to Rome between 1506 and 1521, under the reigns of Ferdinand the Catholic and Charles V. Vich commissioned Sebastiano del Piombo to p [+]

Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado
The Descent from the Cross
Oil on canvas. Ca. 1754
Giaquinto, Corrado

A group of sorrowful figures is illuminated by the rays of divine light which pierce the darkness that fell with the death of Christ, shown lying in his mother’s lap and anointed by Mary Magdalene. Th [+]

The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado
The Trinity
Oil on canvas. 1755 - 1756
Giaquinto, Corrado

Supported by an angel and accompanied by a youthful angel holding the crown of thorns, the dead Christ lies on the orb of the world before God the Father and the dove of the Holy Spirit. The expressiv [+]

Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo
Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo

Lorenzo Lotto`s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée du Louvre, Paris, 1506) and by young Raphael (M [+]

Saint John the Evangelist
Oil on panel. 1610 - 1612
Rubens, Peter Paul
Saint John the Evangelist
Oil on panel. 1610 - 1612
Rubens, Peter Paul

This is one of a series of twelve panels (P01646, P01647, P01648, P01649, P01650, P01651, P01652, P01653, P01654, P01655, P01656, P01657) that make up an apostolate that originally included a Savior o [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca
Pilate washing his Hands
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]

The Crucifixion
Oil on panel. Ca. 1566
Morales, Luis de
The Crucifixion
Oil on panel. Ca. 1566
Morales, Luis de

The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]

The Virgin and Child
Oil on panel. Ca. 1520
David, Gérard (Attributed To)
The Virgin and Child
Oil on panel. Ca. 1520
David, Gérard (Attributed To)

Mary is depicted over half-length, standing with her child in her arms, beside an arch with gothic tracery and landscape in the background. The Christ Child plays with the coral beads of a rosary his [+]

The Virgin and Child with Saints Elizabeth, John the Baptist and Catherine
Oil on canvas. 1624 - 1626
Vouet, Simon
The Virgin and Child with Saints Elizabeth, John the Baptist and Catherine
Oil on canvas. 1624 - 1626
Vouet, Simon

This almost family scene shows the Christ Child and Saint John embracing each other while their respective mothers, Mary and Elizabeth, look on. The moment is witnessed by Saint Catherine, who accompa [+]

The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

Christ rests, lifeless, on his own shroud. He is held by his Mother, who looks imploringly to the heavens. Mary Magdalene kisses his hand while Saint John contemplates the scene from behind. The Crown [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de
The Holy Family
Oil on canvas. Ca. 1787
Goya y Lucientes, Francisco de

Goya expresses the greater importance of this composition through the larger size of the figures, compared to its companion work, Tobias and the Angel (P07856). The wood shavings on the floor indicate [+]

The Virgin nursing the Child
Oil on panel. 1525 - 1550
Reymerswale, Marinus Van
The Virgin nursing the Child
Oil on panel. 1525 - 1550
Reymerswale, Marinus Van

Avoiding the traditional emotional distance used to depict this subject, Van Reymerswaele rather presents it as a moving genre scene. Figures and objects are reduced to a minimum. However the Christ C [+]

Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado
Christ before Pilate
Oil on canvas. Ca. 1754
Giaquinto, Corrado

Shortly after his arrival in Spain in 1753, Giaquinto embarked on a series of eight canvases on scenes from the Passion for the King’s Oratory in the Buen Retiro Palace in Madrid. The series also incl [+]

The Dead Christ supported by an Angel
Oil on canvas. 1646 - 1652
Cano, Alonso
The Dead Christ supported by an Angel
Oil on canvas. 1646 - 1652
Cano, Alonso

Cano lived in Madrid on two different occasions. The first (1638-1651), during which he was able to study the Royal Collection, absolutely transformed his concept of color and brushstrokes. Contact wi [+]

The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The painting is one of a series of eight scenes from Christ’s Passion painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri, Ma [+]

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