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Two Eastern merchants go over their accounts, leaning over a table illuminated by light flooding through a window on the left of the composition. Under their plank table are two full sacks. Two women [+]
Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workers´ safety. The painting is an example of Goya´s social pre [+]
The central motif of this work is the blind singer who travels to cities and towns, spreading the news, generally of a tragic or lurid character. Goya depicts the emotions — from interest to fascinati [+]
A street seller offers her wares in the form of woodland haws. Dressed as a maja and surrounded by cloaked men, she openly flirts with them, in contrast to the coy attitude of the woman in the pair to [+]
An image of a young milkmaid with an apron, a shawl on her shoulders and a scarf holding back her hair. There is a milk jug behind her, to the left. The bottom-to-top perspective seems intended to giv [+]
Two young women spin at their wheels in the workshop of a tapestry factory, recalling Velasquez´s Tapestry Weavers (P01173). Goya interprets the scene as an allegory of Industry, in which young [+]
A drunken mason is carried off the building site by two of his companions, who cannot repress their smirks at the drunk´s situation: he lacks his trousers and his stockings have fallen down. Thi [+]
This canvas belongs to the series of 20 cartoons for tapestries commissioned from Goya by Anton Raphael Mengs in October 1777. They depict scenes from contemporary life and were designed for the bedch [+]
Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]
Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]
