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Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del
Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

Departure from the Inn
Oil on panel . Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel . Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

Redemption Triptych: The Crucifixion
Oil on panel . Ca. 1450
Maestro de la Redención del Prado
Redemption Triptych: The Crucifixion
Oil on panel . Ca. 1450
Maestro de la Redención del Prado

The triptych belonged to Leonor de Mascarenhas (1503-1584), a Portuguese lady who moved to Spain in 1526 and was aya to Philip II and afterwards to his son Don Carlos. When in 1564 she founded the con [+]

Still Life with Game Fowl
Oil on panel . Ca. 1625
Vollenhoven, Herman Van
Still Life with Game Fowl
Oil on panel . Ca. 1625
Vollenhoven, Herman Van

In the immediate foreground, six dead birds arranged on a table that runs parallel to the picture plane stand out against a dark ground. These are, from right to left, three greenfinches, a goldfinch [+]

Hawking Party by a River
Oil on canvas. 1655 - 1658
Wouwerman, Philips -Painter- (And Workshop)
Hawking Party by a River
Oil on canvas. 1655 - 1658
Wouwerman, Philips -Painter- (And Workshop)

Here the main scene takes place in the foreground, where a group of distinguished huntsmen ride down a narrow path along a river bank crowded with popular figures including horse-riders, wayfarers, ba [+]

The Virgin as a Shepherdess
Oil on canvas. Ca. 1732
Lorente Germán, Bernardo
The Virgin as a Shepherdess
Oil on canvas. Ca. 1732
Lorente Germán, Bernardo

This canvas depicts an uncommon manifestation of the Virgin Mary that became popular in eighteenth-century Andalusia. She is seated on a rock surrounded by her flock, holding a rose in her left hand a [+]

A Huntsman
Oil on panel . 1650 - 1653
Wouwerman, Philips
A Huntsman
Oil on panel . 1650 - 1653
Wouwerman, Philips

The original composition was enlarged on the right side with a section of wood of around 10.5 cm, glued against the grain. During the restoration carried out in 1994 it was noted that the preparation [+]

The Three Graces
Oil on oak panel. 1630 - 1635
Rubens, Pieter Paul
The Three Graces
Oil on oak panel. 1630 - 1635
Rubens, Pieter Paul

According to Hesiod’s Theogony, there were three Graces: Aglaia, which means radiance; Euphrosine, which means joy; and Thalia, which means flowering. Born of one of Zeus’s affairs, the three Graces w [+]

Portrait of Mr. Storer
Oil on canvas. Ca. 1815
Archer Shee, Sir Martin
Portrait of Mr. Storer
Oil on canvas. Ca. 1815
Archer Shee, Sir Martin

The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]

Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Seated and seen from behind, a boy plays with a goldfinch. The bird’s mate is perched high up on a branch of the slender tree, its sinuous line emphasising the verticality of the composition.This cart [+]

The Lamentation over the Dead Christ
Oil on panel . Ca. 1490
Master Of The Virgo Inter Virgines
The Lamentation over the Dead Christ
Oil on panel . Ca. 1490
Master Of The Virgo Inter Virgines

The artist, a follower of Geertgen tot sins Jans (1445/65- 1485/95), approached with Passion subjects intense drama. For the purpose of achieving strong expressions, he has no qualms about deliberatel [+]

The Mass of Saint Gregory
Oil on panel . 1515 - 1530
Isenbrandt, Adriaen
The Mass of Saint Gregory
Oil on panel . 1515 - 1530
Isenbrandt, Adriaen

Indebted to the Bruges tradition, the priest holding Saint Gregory’s tiara stems from Jan van Eyck’s Portrait of a Man with Carnation in Berlin and the composition accentuates the sfumato and the grac [+]

Segismundo Moret y Quintana
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Segismundo Moret y Quintana
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This portrait provides exceptional testimony to Federico de Madrazo´s fully mature style, which made him the greatest Spanish portrait artist of the middle decades of the nineteenth century. Painted a [+]

Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero
Don Quixote at the Inn
Oil on canvas. Ca. 1720
Iriarte, Valero

This work belongs to a series inspired by passages from Don Quixote portrayed with the same satirical humour as in Cervantes´text. The famous knight, seated at a table, is served by innkeepers in a pa [+]

Adoration of the Shepherds
Oil on panel . 1625
Wtewael, Joachim
Adoration of the Shepherds
Oil on panel . 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

The Resurrection
Oil on canvas. 1597 - 1600
el Greco
The Resurrection
Oil on canvas. 1597 - 1600
el Greco

At the top, a nude Christ bears a white banner in his left hand, symbolizing triumph over death. His purple robe signifies sacrifice and martyrdom, while his rhomboidal halo echoes the Byzantine tradi [+]

Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del
Allegory of Fame
Oil on canvas. Ca. 1775
Castillo, José del

While the subject of this work ultimately looks back to Renaissance models, its refined, decorative conception clearly reflects the Rococo style. Castillo’s canvas is one of six preparatory cartoons f [+]

Lady covering her Breast
Oil on canvas. 1580 - 1590
Tintoretto, Domenico
Lady covering her Breast
Oil on canvas. 1580 - 1590
Tintoretto, Domenico

The two canvases P382 y P384 are by the same artist and were probably intended as a pair. Their meaning can be gleaned from L’arte de Cenni (1616), the most important treatise on gestures of its day, [+]

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