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Still Life with Limes, Box of Jelly, Butterfly and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio
Still Life with Limes, Box of Jelly, Butterfly and Vessels
Oil on canvas. Third quarter of the XVIII century
Meléndez, Luis Egidio

Some limes, laid out with the artist's habitual disorder, occupy almost half the canvas. Behind them, a honey pot of the popular green-glazed type from Biar or Lucena shows the painter's eye for detail. In the background, a box of jelly lies open on a castañuela plate. Behind it, a silver or pewter saucer holds a Tonalá type Mexican ceramic cup. The butterfly hovering over it all is interesting fo

Masquerade
Oil on panel. 1767
Paret y Alcázar, Luis
Masquerade
Oil on panel. 1767
Paret y Alcázar, Luis

A panoramic representation of a celebration held, perhaps, in the Prince´s Theater in Madrid. The boxes are filled with people watching the crowd dancing on the ground floor, below. They show various emotions and sentiments, dancing and flirting to the sound of music being played by the orchestra in the main box. The innumerable figures are sketched in with clear, rapid brushstrokes, as was Paret´

Still Life with Plate of Haw Berries, Fruits, Cheese, Honey-Jar and Vessels
Oil on canvas. 1771
Meléndez, Luis Egidio
Still Life with Plate of Haw Berries, Fruits, Cheese, Honey-Jar and Vessels
Oil on canvas. 1771
Meléndez, Luis Egidio

En este bodegón los alimentos están dispuestos en primer término: un plato con acerolas, cuyos fuertes matices rojos atraen la vista hacia el centro de la escena, acompañado, a un lado, por manzanas y una pera, y, al otro, por un gran queso blando. Los otros elementos de la composición son distintos recipientes, como dos tarros de miel de diferentes tipos de cerámica, tapados con papel, una frasca

Baile en máscara
Etching, Burin on laid paper. 1778
Salvador Carmona, Juan Antonio
Baile en máscara
Etching, Burin on laid paper. 1778
Salvador Carmona, Juan Antonio

Estampa de Juan Antonio Salvador Carmona que reproduce el óleo de Luis Paret y Alcázar conservado en el Museo Nacional del Prado (P02875). Segundo estado con la plancha retocada: el suelo ajedrezado de baldosas y el título cambiado. El teatro sufrió un incendio el 11 de julio de 1802 encargándose de su reedificación Juan de Villanueva durante cinco años. Otro ejemplar en el Museo del Prado (G00009

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