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José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente
José Gutiérrez de los Ríos
Oil on canvas. 1849
López Portaña, Vicente

Está retratado hasta las rodillas a sus sesenta y nueve años, sentado en un sillón. Viste traje y corbata negros, chaleco marfil y un bello broche en la pechera de la camisa. En la solapa luce la venera de caballero de Montesa y de la botonadura del chaleco pende la leontina de su reloj. Apoya el brazo derecho en un libro sobre varias cartas, en una de las cuales se lee la dedicatoria, sobre un ve

Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín
Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín

This work is a copy of the portrait painted by Goya in 1799. It was made for the royal favourite Manuel Godoy, whose collection was confiscated following his fall from power in 1808. Charles wears the Golden Fleece and the sashes and badges of the orders of Charles III and Saint Januarius, the badges of the four Spanish orders of Santiago, Calatrava, Alcántara and Montesa, and that of the o

The Virgin of the Knight of Montesa
Oil on panel. 1472 - 1476
San Leocadio, Paolo Da
The Virgin of the Knight of Montesa
Oil on panel. 1472 - 1476
San Leocadio, Paolo Da

In the bay of a Renaissance cloister, Mary is seated on a throne with her Son on her lap. On the left is Saint Benedict and on the right, Saint Bernard, patrons of the Order of Montesa. The latter protects the donor, a knight of this military order, probably Luis Despuig, Grand Master between 1472 and 1482 and Viceroy of Valencia between 1472 and 1478. The painter, who was Italian from Emilia and

Carlos IV on Horseback
Oil on canvas. 1799 - 1800
Goya y Lucientes, Francisco de
Carlos IV on Horseback
Oil on canvas. 1799 - 1800
Goya y Lucientes, Francisco de

An equestrian portrait of the Spanish monarch wearing the uniform of a colonel of the Guardia de Corps, with other insignias, such as the Sash of the Order of Carlos III, that of Saint Genaro and the Golden Fleece. This painting was made as a pair to the equestrian portrait of his wife, Queen Maria Luisa de Parma (1751-1818), which is also at the Prado Museum (P720). The composition reveals Velasq

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the artist´s mastery at individualizing characters. The forerunners to this complex composition are Louis-Michel van Loo´s Portrait of Felipe V and his Family (P02283) and Velázquez´s Las Meninas

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