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Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)
Portrait of King Charles IV
Oil on canvas. 1790
Goya y Lucientes, Francisco de (Copy)

Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was responsible for supplying portraits of the Royal Family; aided by several painters in his workshop, he was required to fulfill the commissions of numerous different institutions and private citizens thr

Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de
Carlos IV
Oil on canvas. Ca. 1789
Goya y Lucientes, Francisco de

A portrait of King Carlos IV (1784-1819) wearing red velvet and decorated with the Golden Fleece, on a background of curtains that partially hide a crown at the right edge of the composition. This work may have been made shortly after the Monarch took the throne, as he still wears the sash of Carlos III (1716-1788), whose design was specified on 24 October 1772. Its combination of colors was modif

Philip V
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto
Philip V
Oil on canvas. 1718 - 1722
Meléndez, Miguel Jacinto

This portrait of Philip V is based on a prototype devised by Meléndez in the 1720s. It combines a French model with the use of broad, zig-zagging brushstrokes typical of the Madrid Baroque style. The monarch´s notably idealised face is extremely delicately painted, with the paler tone of the broad brow suggesting the illumination of intelligence. Small highlights on the nose and lips emphas

Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This image of King Charles III was paired with a portrait of his wife, Maria Amalia of Saxony (P2201), although the image of the queen was not painted in her presence. Instead, it was invented on the basis of other likenesses, as she died before the artist was able to paint her.Mengs’s effigie of Charles III became the monarch’s official image and was therefore the object of various replicas. One

Charles III
Oil on canvas. Ca. 1774
Mengs, Anton Raphael
Charles III
Oil on canvas. Ca. 1774
Mengs, Anton Raphael

A solemn prototype of the effigy of Charles III, who stands in armour in front of a purple hanging and a column, traditional symbols of royal power. Replica of P02200, on the occasion of the foundation of the Royal Order of Carlos III.

Philip V, King of Spain
Oil on canvas. 1723
Ranc, Jean
Philip V, King of Spain
Oil on canvas. 1723
Ranc, Jean

This is an official portrait of Felipe V (1683-1746), the first Bourbon king of Spain. The grandson of Louis XIV (1638-1715) of France, he was born in Versailles and was proclaimed King of Spain in 1700. Married two times, he had numerous children and died in Madrid in 1746. The king wears armor and carries a ruler´s staff. A warrior´s helmet rests on a stone in front of him. Along with the sumptu

Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de
Charles III in Hunting Dress
Oil on canvas. Ca. 1786
Goya y Lucientes, Francisco de

A portrait of King Charles III (1716-1788), son of Philip V and Elizabeth of Farnesio, shortly before he died in Madrid on December 14, 1788. The king appears in a royal hunting preserve, either around El Escorial, or between the El Pardo Palace and the mountains of Madrid. He is dressed as a hunter, with the sashes of the Orders of Carlos III, Saint Januarius and the Holy Ghost, as well as the Go

The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean
Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean

Son of Philip V and Isabel Farnese, Louis Antonio of Bourbon was born July 25, 1727, became archbishop of Toledo on September 9, 1735, and became cardinal on December 9 of that year. In 1739, he also assumed the archbishopric of Seville. Regardless of his high ecclesiastical rank, he lacked the interest or capacity to carry out such activities, and led a life of hunting and pleasure unsuitable to

Charles IV
Oil on unlined canvas. 1789
Goya y Lucientes, Francisco de
Charles IV
Oil on unlined canvas. 1789
Goya y Lucientes, Francisco de

In this full-length portrait, King Carlos IV (1748-1819) wears a red frock coat adorned with silver and carries a ruler´s staff. His decorations include the Golden Fleece and the sash of the order of Carlos III. The Royal crown rests on an ermine-lined purple robe on the table to his side. This painting is paired with Goya´s portrait of Queen María Luisa in a Dress with hooped (

The Young Louis XV
Oil on canvas. 1714
Gobert, Pierre
The Young Louis XV
Oil on canvas. 1714
Gobert, Pierre

Wearing a child´s dress of branched yellow fabric with silver adornments and the sash and cross of the Order of the Saint-Esprit, the future monarch rests his right hand on a small dog that stands atop a chair partially covered by a curtain. His gesture seeks to calm the animal, who is barking at a monkey on the other side of the prince. The small simian is attempting to grab his leash, whic

Pedro Alcántara Álvarez de Toledo, 13th Duke of El Infantado
Oil on canvas. 1827
López Portaña, Vicente
Pedro Alcántara Álvarez de Toledo, 13th Duke of El Infantado
Oil on canvas. 1827
López Portaña, Vicente

Pedro Alcántara Álvarez de Toledo Silva y Mendoza Salm Salm, XIII duque del Infantado (Madrid, 1768-1841), fue ministro de Estado y presidente del Gobierno (1824-1826).El duque está retratado de cuerpo entero, a sus cincuenta y nueve años, ante un paisaje de campo abierto. Viste uniforme de capitán general, sobre el que luce la gran cruz y banda de la orden de Carlos III e insignia y banda del Toi

Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town of Mascaraque and died in the Imperial City in 1566. In total, these are nearly forty works from the former Museo Nacional de la Trinidad. Like many other 16th-century Spanish religious painters, Cor

Philip V of Spain
Oil on canvas. Ca. 1739
Loo, Louis-Michel Van
Philip V of Spain
Oil on canvas. Ca. 1739
Loo, Louis-Michel Van

El retrato de Felipe V, primer Borbón que ocupó el trono español, muestra al monarca en la última fase de su vida -comenzó a reinar en 1700 y falleció en 1746-. Aparece caracterizado con armadura completa, sosteniendo en la mano izquierda el bastón de mando que, a manera de cetro, lleva grabados los castillos y leones heráldicos así como la flor de lis de la dinastía Borbón. Apoya en la cadera la

Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín
Charles IV in the Uniform of a Colonel of the Royal Guard
Oil on canvas. 1799 - 1800
Esteve, Agustín

This work is a copy of the portrait painted by Goya in 1799. It was made for the royal favourite Manuel Godoy, whose collection was confiscated following his fall from power in 1808. Charles wears the Golden Fleece and the sashes and badges of the orders of Charles III and Saint Januarius, the badges of the four Spanish orders of Santiago, Calatrava, Alcántara and Montesa, and that of the o

The Prince of Asturias, the future Charles IV
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
The Prince of Asturias, the future Charles IV
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This portrait of Charles IV as the Prince of Asturias has as its pendant a portrait of his wife, María Luisa of Parma, also in the Museo del Prado (P2189). Anton Raphael Mengs had come to Spain in 1761 at the invitation of Charles III in order to serve as pintor de camára, or court painter, the most prestigious appointment for an artist in the service of the king. He probably produce

The Dauphin Louis de Bourbon
Oil on canvas. Ca. 1744
Drouais, Hubert
The Dauphin Louis de Bourbon
Oil on canvas. Ca. 1744
Drouais, Hubert

La efigie muestra al único hijo varón de Luis XV y de Maria Lecszinska, hija de Estanislao Lecszinski, rey de Polonia y más tarde duque de Lorena. Nació en Versalles el 4 de septiembre de 1729 y falleció en Fontainebleau el 20 de diciembre de 1765. Se casó el 23 de febrero de 1745 con una hija de Felipe V, la infanta María Teresa Rafaela de Borbón, que falleció al dar a luz una niña. En 1747 contr

Carlos IV on Horseback
Oil on canvas. 1799 - 1800
Goya y Lucientes, Francisco de
Carlos IV on Horseback
Oil on canvas. 1799 - 1800
Goya y Lucientes, Francisco de

An equestrian portrait of the Spanish monarch wearing the uniform of a colonel of the Guardia de Corps, with other insignias, such as the Sash of the Order of Carlos III, that of Saint Genaro and the Golden Fleece. This painting was made as a pair to the equestrian portrait of his wife, Queen Maria Luisa de Parma (1751-1818), which is also at the Prado Museum (P720). The composition reveals Velasq

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