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Saint Mark and Saint Luke
Oil on canvas. Ca. 1625
Ribalta, Juan
Saint Mark and Saint Luke
Oil on canvas. Ca. 1625
Ribalta, Juan

Representation of San Marcos and San Lucas, which, subject and size , it must be part of an altarpiece predella. Along with San Mateo y san Juan Evangelista (P-1065), they depict the four Evangelists [+]

Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan
Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan

Today, Juan Carreño, who was appointed Chamber Painter to the King in 1671, is best remembered for his portraits from the court of Charles II, but, in fact, most of his paintings are devotional [+]

Martyrdom of Saint Peter Martyr
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto
Martyrdom of Saint Peter Martyr
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto

Este lienzo es una de las obras más significativas de Espinosa en un período especialmente afortunado de su producción, con una notable influencia de Pedro Orrente, tanto en la gama tostada de su colo [+]

Saint John the Evangelist on Patmos
Oil on canvas. Ca. 1620
Orrente, Pedro de
Saint John the Evangelist on Patmos
Oil on canvas. Ca. 1620
Orrente, Pedro de

This canvas is a good example of the numerous influences that acted on Orrente’s style. They include his Venetian training, evident in his approach to the landscape in this painting, and unmistakable [+]

Saint John Chrysostom
Oil on canvas. First half of the XVII century
Orrente, Pedro de
Saint John Chrysostom
Oil on canvas. First half of the XVII century
Orrente, Pedro de

Orrente here adheres to his practice of using religious scenes as a pretext to paint landscapes influenced by the famous works of the Bassano family. In this work he depictsthe 4th -century saint in h [+]

Saint Matthew and Saint John the Evangelist
Oil on canvas. Ca. 1625
Ribalta, Juan
Saint Matthew and Saint John the Evangelist
Oil on canvas. Ca. 1625
Ribalta, Juan

In this painting, two men wearing tunics kneel next to a rocky crag, past which, in the distance, a stormy landscape opens up. The elder of the two men bends over a sheaf of papers on which he writes, [+]

The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de
The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de

This canvas presents one of the most persistent subjects in Pedro Orrente´s substantial output: the Nativity and the Adoration of the shepherds, a popular theme among seventeenth-century Spanish [+]

The Crucifixion
Oil on canvas. Ca. 1630
Orrente, Pedro de
The Crucifixion
Oil on canvas. Ca. 1630
Orrente, Pedro de

This canvas was in the Buen Retiro Palace in Madrid, together with other works by this artist. Orrente was one of the most prolific and celebrated Spanish artists of the seventeenth century, painting [+]

Self-portrait
Oil on canvas. 1620 - 1630
Orrente, Pedro de
Self-portrait
Oil on canvas. 1620 - 1630
Orrente, Pedro de

Orrente había nacido en Murcia (como aclara la inscripción de la parte superior) y desarrolló la mayor parte de su carrera en el Levante español, además de Toledo, donde permaneció entre 1626 y 1631. [+]

The Adoration of the Shepherds
Oil on canvas. XVII century
Orrente, Pedro de (Circle Of)
The Adoration of the Shepherds
Oil on canvas. XVII century
Orrente, Pedro de (Circle Of)

[+]

Saint John the Baptist
Pencil on yellow laid paper. XVII century
Ribalta, Francisco (Attributed To)
Saint John the Baptist
Pencil on yellow laid paper. XVII century
Ribalta, Francisco (Attributed To)

Dibujo en el que se representa a San Juan Bautista arrodillado, de perfil a la derecha, con la cabeza de frente y alzada, mientras se apoya en la cruz de caña con la mano izquierda y extiende con la d [+]

The Adoration of the Magi
Pencil, Grey-brown wash, White lead on yellow laid paper. XVII century
March, Miguel (Attributed To)
The Adoration of the Magi
Pencil, Grey-brown wash, White lead on yellow laid paper. XVII century
March, Miguel (Attributed To)

La Virgen, sentada a la izquierda ante el portal, se incorpora para mostrar al Niño Jesús a Melchor, que besa su pie; a la derecha los otros Reyes y el cortejo, pajes, enanos, soldados, camellos, etc [+]

The Supper at Emmaus
Pencil, Grey-brown wash on yellow laid paper. XVII century
Orrente, Pedro de
The Supper at Emmaus
Pencil, Grey-brown wash on yellow laid paper. XVII century
Orrente, Pedro de

Al fondo, a la izquierda, sobre un ligero estrado, están sentados a la mesa Cristo y los dos discípulos. Jesús parte el pan, con la vista alzada, mientras un servidor se aproxima con una bandeja. En p [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Adoration of the Shepherds
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Orrente, Pedro de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Pedro Orrente del Museo Nacional del Prado (P01015). Esta estampa se entregaba con el cuadernillo [+]

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