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The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous
The Christian Soul accepts the Cross
Oil on canvas. Ca. 1630
Anonymous

Totally surrounded by crosses, Christ accepts his penitence. He is followed by a young woman in the same pose wearing a wreath of flowers and identified as the Christian Soul. While this work is undou [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D015 [+]

Ignudo seated to one side of a Pediment, supporting a medaillon
Pencil, Grey-brown ink, Wash on paper. XVI century
Orsi, Lelio (Attributed To)
Ignudo seated to one side of a Pediment, supporting a medaillon
Pencil, Grey-brown ink, Wash on paper. XVI century
Orsi, Lelio (Attributed To)

The drawing seems weak and undistinguished, and there is little or no stylistic evidence to support the old ascription to Orsi, thought the invention may well be Emilian, from the midto-late sixteenth [+]

Standing Nude Youth
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing Nude Youth
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

An old (not unintelligent) attibution to Lelio Orsi is written on the reverse. In a note on the modern museum mount dated 1980, Sylvie Béguin has written "after Giulio Romano". In my opinion, t [+]

Studies of Heads
Pencil, Grey ink on brown paper. Early XVI century
Anonymous
Studies of Heads
Pencil, Grey ink on brown paper. Early XVI century
Anonymous

In a note on the modern museum matte, Sylvie Béguin suggested that the drawing could be after Parmigianino (1980). The types are indeed Parmigianinesque but they may instead reflect the work of [+]

Design for an architectural decoration
Pencil, Mauve ink, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Orsi, Lelio
Design for an architectural decoration
Pencil, Mauve ink, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Orsi, Lelio

The decoration consists of putti carrying swags and a caryatid holding up a cornice, beneath which is a large escutcheon. Just discernible on the face of the shield to the right is a man on the back o [+]

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