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All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]
Joseph is a handsome and virtuous slave falsely accused of rape by his master´s wife, whose advances he has rejected. He is imprisoned, but eventually raised to the highest office by Pharaoh (Exodus: [+]
Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]
En una composición horizontal, favorecida por el propio formato del soporte, se plasma una llanura con un desnivel en el centro del terreno en el que junto a un bosque de palmeras se alza un aljibe pa [+]
Sobre una tosca mesa de madera, descrita táctilmente con los pequeños detalles de la calidad del material, visibles en nudos y muescas, aparecen desordenadamente situadas unas cuantas “peritas de San [+]
Está retratado hasta las rodillas a sus sesenta y nueve años, sentado en un sillón. Viste traje y corbata negros, chaleco marfil y un bello broche en la pechera de la camisa. En la solapa luce la vene [+]
Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]
Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]
The Painter Aureliano de Beruete is the most outstanding of all the portraits made by Sorolla. In this work he successfully combined the Velázquez inspiration that was a feature of his oeuvre d [+]
This canvas depicts an uncommon manifestation of the Virgin Mary that became popular in eighteenth-century Andalusia. She is seated on a rock surrounded by her flock, holding a rose in her left hand a [+]
This painter from Burgos represents the transition from the international Gothic style in which he was formed to the hispano-flemish style, whose models he adapts with his personal manner. The three f [+]
Sitting on a stone bench beside a landscape that disappears into the distance, the girl holds various roses on a handkerchief in her lap. Her hat lies on the ground. Lost in thought, she gazes out of [+]
This episode, which illustrates Hercules’s death, was narrated in great detail by Baltasar de Victoria, who tells how the hero killed Nessus the centaur for having attempted to rape Hercules’s bride, [+]
The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]
This is a singular example of David Teniers´ indoor scenes. The kitchen or tavern utensils so common in his other works are completed here with a magnificent show of diverse fruit and vegetables. This [+]
The artist, a follower of Geertgen tot sins Jans (1445/65-1485/95), approached Passion subjects with intense drama. In order to achieve strong expressions, he does not hesitate to deliberately distort [+]
On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]
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