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Danaë receiving the Golden Rain
Oil on canvas. 1560 - 1565
Titian
Danaë receiving the Golden Rain
Oil on canvas. 1560 - 1565
Titian

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian
Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian

Described by Lodovico Dolce as a gentleman of great merit and infinite goodness, Daniele Barbaro (1513-1570) was from a noble Venetian family. He was educated to the highest level first in Verona and [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian
Self-portrait
Oil on canvas. Ca. 1562
Titian

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian
The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian

On 13 July 1558, Philip II asked Titian to make haste with the completion of an Agony in the Garden which the artist had agreed to finish one year earlier, but which was only sent to the monarch in 15 [+]

Sisyphus
Oil on canvas. 1548 - 1549
Titian
Sisyphus
Oil on canvas. 1548 - 1549
Titian

The literary source for the Furies is Ovid´s Metamorphoses (IV, 447-464) and Virgil´s Aeneid (VI, 457-8), which recounts the eternal sufferings in Hades of Tityus, whose liver was devoured [+]

Adam and Eve
Oil on canvas. Ca. 1550
Titian
Adam and Eve
Oil on canvas. Ca. 1550
Titian

The painting is a faithful visualisation of Genesis 30, 9-19 in which Eve is blamed for accepting the forbidden fruit (although the type of fruit is not stated, Titian follows tradition and opts for a [+]

Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti
Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti

This canvas is part of a group of six paintings: Susannah and the Elders (P386), Esther and Ahasuerus (P388) Judith and Holofernes (P391), The Visit of the Queen of Sheba to Solomon (P394), Joseph and [+]

Juan Federico I de Sajonia
Oil on canvas. 1548
Titian
Juan Federico I de Sajonia
Oil on canvas. 1548
Titian

John Frederick I of Saxony (Torgau, 30 June 1503–Jena, 3 March 1554), Duke of Saxony-Wittenberg from 1532, was the principal defender of Luther, a fact that brought him into conflict with Charles V. I [+]

The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Fight to the Death with Clubs
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

The Clothed Maja
Oil on canvas. 1800 - 1808
Goya y Lucientes, Francisco de
The Clothed Maja
Oil on canvas. 1800 - 1808
Goya y Lucientes, Francisco de

An unidentified lady wearing delicate transparent clothing and a yellow jacket with black decorations lies on a green velvet divan with cushions and a spread. There has been a great variety of opinion [+]

Two old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two old Men
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de
Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de

A boy steps on another's back as he attempts to climb a tree and pick its fruit, while two others watch expectantly, hoping to receive some. This is one of Goya's cartoons for the tapestries intended [+]

Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with a Bird
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Seated and seen from behind, a boy plays with a goldfinch. The bird’s mate is perched high up on a branch of the slender tree, its sinuous line emphasising the verticality of the composition.This cart [+]

The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Dressed in yellow clothes that symbolize autumn, a young man sitting on a stone offers a cluster of black grapes to a lady. A boy is eager to reach the offered fruit, which is reserved for the adults. [+]

Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de
Boy with Tree
Oil on canvas. 1780
Goya y Lucientes, Francisco de

Two boys are playing in front of a tree. One looks up as he grasps a branch as if about to shake it firmly while the other, in the background, has a basket, possibly for the fruit or birds’ eggs colle [+]

The Straw Manikin
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Straw Manikin
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

Four young women laugh and play at blanket-tossing a doll or manikin in the air. The latter´s movement is the result of their caprice. Its carnival origins are visible in the use of masks and jo [+]

The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

Alone in the countryside, a boy raises his hand to his breast while looking up to the heavens, his face illuminated by a beam of light. The lamb and the cross with the inscription “Ecce Agnus Dei” (Be [+]

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