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Italian Landscape
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Parboni, Aquiles; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Italian Landscape
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Parboni, Aquiles; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Aquiles Parboni que reproduce el lienzo de Pieter Spierickx (1635-1711) conservado en el Museo Nacional del Prado (P01781). Es la estampa LXXIII que va acompañada de un texto explicativo de José Musso y Valiente. Se incluye en el volumen II de la serie dirigida por José de Madrazo, editada por el Real Establecimiento Litográfico, Colección litográfica de cuadros del rey de Esp

Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

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