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The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous
The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous

This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Myst [+]

The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)
The Saviour
Oil on panel. Late XV century
Anonymous (Workshop Of Bellini, Giovanni)

A bust of Christ, dressed in purple and with the holy halo. He appears as the Savior of Humanity over a dark background. This is a replica of a work by the same name signed by Giovanni Bellini (“IOANN [+]

View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous
View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous

The painting resembles the View of Tivoli, in size, type of support and subject matter. Indeed, the overhanging rock in the foreground beside the fishermen would appear to be inspired by that beneath [+]

The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)
The Transit of Mary Magdalene
Oil on canvas. Late XVII century
Anonymous (Copy Coello, Claudio)

The saint’s figure, with long blond tresses, occupies the center of the scene. Gazing at the heavens, she crosses her hands across her bosom in prayer. Her worn clothing is enveloped in large floating [+]

Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)
Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)

If we compare this painting with the Animals Entering the Ark (P22), we find that the iconographic elements which identify the subject have been shifted to a middle plane -Noah thanking God for bringi [+]

Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous
Rest on the Flight into Egypt
Oil on panel. 1520 - 1530
Anonymous

Aún no se ha identificado a su autor; pero en algunos aspectos coincide con las obras salidas del taller de Joos van Cleve, que también colaboró con Patinir representando figuras para sus escenas de p [+]

Infernal Landscape
Oil on panel. Ca. 1565
Anonymous (Follower Of Bosch, Hieronymus)
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous (Follower Of Bosch, Hieronymus)

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

Landscape with Rider
Oil on panel. 1660 - 1665
Anonymous
Landscape with Rider
Oil on panel. 1660 - 1665
Anonymous

Until 1972, the Museo del Prado catalogues record that the signature of M. Hobbema (with the MH intertwined) appears on the tree stump. In the 1985 catalogue this signature is said to be apocryphal. W [+]

The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous
The Aldobrandini Garden at Frascati
Oil on canvas. XVII century
Anonymous

The earliest documentary reference to this painting appears in the 1772 inventory of the Palace of the Buen Retiro, in which the setting is attributed to Viviano Codazzi (1603/4-1672) and the figures [+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))
The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous (Copy After Raphael (Raffaello Sanzio))

[+]

Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous (Manner Of Guercino (Giovanni Francesco Barbieri))
Landscape
Pencil, Grey-brown ink on dark yellow paper. XVIII century
Anonymous (Manner Of Guercino (Giovanni Francesco Barbieri))

Dibujo de mano de imitador de Guercino del s. XVIII, del que se conservan numerosos (véase D00788) apuntes repartidos en las mas importantes colecciones europeas y americanas, como originales del arti [+]

Rest on The Flight into Egypt
Black chalk, Pencil, Grey wash on dark yellow paper. Late XVIII century
Anonymous
Rest on The Flight into Egypt
Black chalk, Pencil, Grey wash on dark yellow paper. Late XVIII century
Anonymous

En el anverso, la Virgen sentada con el Niño, bajo una palmera. Dos ángeles arrodillados le ofrecen una bandeja de frutas. Fondo amplio de paisaje con figuras. En el reverso hay un apunte de composici [+]

Landscape
Pencil, Grey-brown wash on brown paper. Ca. 1650
Anonymous
Landscape
Pencil, Grey-brown wash on brown paper. Ca. 1650
Anonymous

Dibujo en el que se representa un paisaje con dos árboles en primer término, un río con barcas y una ciudad al fondo. El tipo de paisaje enlaza con el de la escuela boloñesa y la libertad de las forma [+]

Venus and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Venus and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Cupid, seated in Venu´s lap, raises his face to kiss her. The two figures correspond precisely in pose to those in a painting by Cambiaso of Venus and Cupid accompanied by a satyr in a landscape in th [+]

The Wrestlers
Serpentine. XVIII century
Anonymous
The Wrestlers
Serpentine. XVIII century
Anonymous

This is a version of the celebrated Hellenistic group which depicts two athletes engaging in a form of wrestling considered an Olympic sport in ancient Greece. Serpentine, known in the past as “green [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

De origen japonés, el abanico era considerado un objeto indispensable en las manos de las damas ilustres y de las humildes mujeres del pueblo, por lo que era considerado uno de los elementos más preci [+]

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