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Departure from the Inn
Oil on panel . Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel . Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del
Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

A Huntsman
Oil on panel . 1650 - 1653
Wouwerman, Philips
A Huntsman
Oil on panel . 1650 - 1653
Wouwerman, Philips

The original composition was enlarged on the right side with a section of wood of around 10.5 cm, glued against the grain. During the restoration carried out in 1994 it was noted that the preparation [+]

Adoration of the Shepherds
Oil on panel . 1625
Wtewael, Joachim
Adoration of the Shepherds
Oil on panel . 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

Portrait of a Man
Oil on panel . Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel . Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

The Virgin with the Child, Saint John and Angels
Oil on panel . XVI century
Sarto, Andrea del (Copy)
The Virgin with the Child, Saint John and Angels
Oil on panel . XVI century
Sarto, Andrea del (Copy)

[+]

The Seven Liberal Arts
Tempera on panel . Ca. 1435
Ponte, Giovanni Dal
The Seven Liberal Arts
Tempera on panel . Ca. 1435
Ponte, Giovanni Dal

This decoration of the front of a chest depicts the seven Liberal Arts, accompanied by an equal number of figures that represent the most relevant personages in each discipline. All are being crowned [+]

Portrait of a Woman aged 35
Oil on panel . 1555
Floris, Frans
Portrait of a Woman aged 35
Oil on panel . 1555
Floris, Frans

Floris was the most important history painter in Antwerp in the second half of the sixteenth century, only painting portraits on a few occasions. The sitters -Portrait of a Gentleman Aged 48 (P1516) a [+]

Christ the Saviour with the Eucharist
Oil on panel . 1545 - 1550
Juanes, Juan de
Christ the Saviour with the Eucharist
Oil on panel . 1545 - 1550
Juanes, Juan de

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host, flanked by two Old Testament figures: King Melchizedek, bearing bread an [+]

Agony in the Garden
Oil on panel . Ca. 1500
Osona, Rodrigo de; Osona, Francisco de
Agony in the Garden
Oil on panel . Ca. 1500
Osona, Rodrigo de; Osona, Francisco de

This and five other panels at the Prado Museum (P06897,P06898 , P06899, P06901, P06902), are some of the finest examples of the collaboration between Rodrigo and Francisco de Osona. They were probably [+]

The Coronation of the Virgin
Oil on panel . After 1521
Macip, Vicente
The Coronation of the Virgin
Oil on panel . After 1521
Macip, Vicente

The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]

The Flood
Oil on panel . Ca. 1530
Scorel, Jan Van
The Flood
Oil on panel . Ca. 1530
Scorel, Jan Van

The teacher of Anthonis Mor, Van Scorel introduced Roman Mannerism into the Low Countries. This scene combines figures derived from Michelangelo with a nocturnal landscape characteristic of the northe [+]

Triptych of the life of the Virgin
Oil on panel . Ca. 1445
Bouts, Dirk
Triptych of the life of the Virgin
Oil on panel . Ca. 1445
Bouts, Dirk

This triptych presents four scenes: the Annunciation, the Visitation, the Adoration of the Angels and the Adoration of the Magi. Painted around 1445, it is considered the earliest surviving work by Di [+]

A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)
A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)

A model similar to this one appears in the Crown of Thorns at the Royal Museum of Fine Arts in Antwerp, specifically, the figure who is supposed to place the crown of thorns on Christ's head. The figu [+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

The Visitation
Oil on panel . Ca. 1500
Master Of Perea
The Visitation
Oil on panel . Ca. 1500
Master Of Perea

This is a scene from the New Testament (Luke 1, 39-56) when the Virgin Mary is pregnant with Jesus. Accompanied by Saint Joseph, she goes to visit her cousin, Elizabeth, who is pregnant with Saint Joh [+]

Saint Anne, the Virgin, Saint Elisabeth, Saint John and the Child Jesus
Oil on panel . 1525 - 1532
Yáñez de la Almedina, Fernando
Saint Anne, the Virgin, Saint Elisabeth, Saint John and the Child Jesus
Oil on panel . 1525 - 1532
Yáñez de la Almedina, Fernando

The Virgin Mary reaches out to the Christ Child, who walks toward her. In the lower left corner, Saint John, adorned with a necklace of flowers, offers a flower to his cousin. A lily growing on the ri [+]

The Flagellation
Oil on panel . Ca. 1625
Crespi, Daniele
The Flagellation
Oil on panel . Ca. 1625
Crespi, Daniele

This scene depicts the moment just prior to Christ’s flagellation when his hands are tied behind his back, revealing his finely painted body. The most restrained of Crespi’s depictions of this episode [+]

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