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The Infanta Catalina Micaela
Oil on canvas. Ca. 1585
Pantoja de la Cruz, Juan (Attributed To)
The Infanta Catalina Micaela
Oil on canvas. Ca. 1585
Pantoja de la Cruz, Juan (Attributed To)

La infanta Catalina Micaela fue la menor de las dos hijas habidas en el matrimonio del rey Felipe II con su tercera esposa, Isabel de Valois. Nació en Madrid en 1567. Junto a su hermana mayor, Isabel [+]

Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan
Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan

In this three-quarter portrait Queen Isabel de Valois (1546-1568) wears a black velvet gown with round sleeves from which her slashed red silk undersleeves embroidered with gold and silver thread peep [+]

Margaret of Austria, Queen of Spain
Oil on canvas. 1607
Pantoja de la Cruz, Juan
Margaret of Austria, Queen of Spain
Oil on canvas. 1607
Pantoja de la Cruz, Juan

Margaret of Austria married Philip III in 1599 after Philip II chose her from among the women of the Austria-Styria family. The marriage was planned to coincide with that of infanta Isabel Clara Eugen [+]

Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P01220 and P01222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are a [+]

Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan
Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan

This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]

Margaret of Austria
Oil on canvas. 1606
Pantoja de la Cruz, Juan
Margaret of Austria
Oil on canvas. 1606
Pantoja de la Cruz, Juan

Margaret, who married Philip III in 1599, was the daughter of the Archduke of Bavaria. In this portrait by Pantoja de la Cruz -the most representative painter of the reign- she wears the so-called “Ri [+]

Portrait of a Lady
Oil on canvas. Ca. 1585
Pulzone, Scipione
Portrait of a Lady
Oil on canvas. Ca. 1585
Pulzone, Scipione

The overall composition conforms to the type of portrait prevailing in Europe in the second half of the 16th century. The arrangement of the figure, slightly turned to the left in order to avoid a rig [+]

Portrait of a Knight of the Order of Santiago
Oil on canvas. 1601
Pantoja de la Cruz, Juan
Portrait of a Knight of the Order of Santiago
Oil on canvas. 1601
Pantoja de la Cruz, Juan

Pantoja de la Cruz continued the type of court portrait formulated by Sánchez Coello in the mid-sixteenth century. The severe, distant image projected by the sitter, possibly a servant in the A [+]

Philip III
Oil on canvas. 1606
Pantoja de la Cruz, Juan
Philip III
Oil on canvas. 1606
Pantoja de la Cruz, Juan

The king is portrayed in armour, beside a tent; the image is not particularly representative of the sitter, whose tastes tended more towards regal pomp and religious piety. The composition follows ear [+]

The Infanta Isabel Clara Eugenia
Oil on canvas. 1598 - 1599
Pantoja de la Cruz, Juan
The Infanta Isabel Clara Eugenia
Oil on canvas. 1598 - 1599
Pantoja de la Cruz, Juan

Isabel Clara Eugenia (1566-1633), King Philip II’s mostbeloved daughter, boasts fine robes and an “upper-crust” and highly-fashionable coiffure. She is standing, with just over half her body visible, [+]

Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan
Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan

Joanna, the daughter of Charles V and Isabella of Portugal was born in 1535, and later married her cousin Joao Manuel, prince of Brazil. On the death of her husband in 1554, and having soon after give [+]

The Emperor Charles V
Oil on canvas. 1605
Pantoja de la Cruz, Juan
The Emperor Charles V
Oil on canvas. 1605
Pantoja de la Cruz, Juan

A fire in El Pardo Palace on March 13, 1604, destroyed the portraits in the Hall of Kings. These portraits had been painted by the finest artists of the time, including Titian, Antonio Moro, Alonso S& [+]

The Birth of the Virgin
Oil on canvas. 1603
Pantoja de la Cruz, Juan
The Birth of the Virgin
Oil on canvas. 1603
Pantoja de la Cruz, Juan

At the German Imperial court, into which Queen Margaret of Austria (1584-1611) was born, portraits of royalty were often included in religious scenes; these paintings were known in Spanish as portrait [+]

Margaret of Austria, Queen of Spain
Oil on canvas. Early XVII century
González, Bartolomé
Margaret of Austria, Queen of Spain
Oil on canvas. Early XVII century
González, Bartolomé

Bartolomé González prolongó los usos del retrato de corte del siglo XVI durante el reinado de Felipe III y Margarita de Austria, aunque a través de una pincelada prieta, un colorido frio y una ilumina [+]

Queen Margaret of Austria
Oil on canvas. 1609
González, Bartolomé
Queen Margaret of Austria
Oil on canvas. 1609
González, Bartolomé

Bartolomé González continued to make use of the tradition of sixteenth-century court portraiture during the reign of Philip III and Margaret of Austria. However, the tight handling, cool [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)
Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)

Philip II was Titian’s most important patron, and the pair’s artistic relationship was one of the most fecund of the Renaissance. They met twice while Philip was still a prince, in Milan (December 154 [+]

Philip III in Armour
Oil on canvas. 1617
Vidal, Pedro Antonio
Philip III in Armour
Oil on canvas. 1617
Vidal, Pedro Antonio

This portrait of Philip III in black armour is the only known work by the artist. It adheres to the conventions of the court portrait of the time by showing the monarch standing, in three-quarter prof [+]

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