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Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco
Pietà
Black chalk, White chalk on grey paper. XVIII century
Bayeu, Francisco

Estudio de La Piedad en el que se representa a Cristo sentado en el suelo, apoyando el cuerpo sobre la pierna derecha de la Virgen. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Es [+]

Apollo
Black chalk, White chalk on grey paper. 1806
Maella, Mariano Salvador
Apollo
Black chalk, White chalk on grey paper. 1806
Maella, Mariano Salvador

Preparatorio para la figura de Apolo que preside uno de los laterales del gran fresco de la Agricultura y los cuatro elementos, pintado en la bóveda del Salón de Billar de la Casita del Labrador de Ar [+]

Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Estudio de una cabeza femenina; ésta se representa con el cabello recogido y la mirada en alto. Su estilo es muy próximo a González Ruíz. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Di [+]

Trust
Red chalk, Red wash on grey laid paper. 1797 - 1798
Goya y Lucientes, Francisco de
Trust
Red chalk, Red wash on grey laid paper. 1797 - 1798
Goya y Lucientes, Francisco de

In Goya´s drawings, padlocks are a recurrent symbol of closed minds. Also, in the literature of the time, a padlock shutting a mouth was frequently used to express a lack of critical judgment, or the [+]

Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni
The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni

Philip Pouncey was the first to propose the attribution to Balducci. The drawing was presumably made late in the artist´s career, after the painter had settled in Naples. [+]

The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)
The Birth of the Virgin
Ink, Grey-brown wash on grey paper. XVII century
Anonymous (Copy Giordano, Luca)

Este dibujo representa el estilo gráfico de Giordano, y se relaciona con el lienzo Nacimiento de la Virgen de la iglesia veneciana de Santa Maria della Salute, fechado en 1667, ya que son idénticas al [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Heads of Three Bearded Men
Pencil, White chalk on grey paper. XVI century
Tintoretto, Jacopo Robusti (Attributed To)
Heads of Three Bearded Men
Pencil, White chalk on grey paper. XVI century
Tintoretto, Jacopo Robusti (Attributed To)

From their style, it is possible that these feeble studies may date from the beginning of the nineteenth century. The heads may derive from a painting or paintings by Tintoretto, but the prototype cou [+]

Saint Ildefonso
Black chalk, White chalk on grey paper. 1783
Bayeu, Francisco
Saint Ildefonso
Black chalk, White chalk on grey paper. 1783
Bayeu, Francisco

Dibujo preparatorio para la figura de San Ildefonso en el ángulo inferior izquierdo del fresco de la San Julián y San Ildefonso inspirados por el Espíritu Santo, en el claustro de la Catedral de Toled [+]

Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco
Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte central izquierda del fresco de Apolo protegiendo las Ciencias y las Artes en la Biblioteca del Palacio Real de Madrid. Se representa a la figu [+]

Life study
Black chalk, White chalk on grey paper. 1703
Conchillos y Falcó, Juan
Life study
Black chalk, White chalk on grey paper. 1703
Conchillos y Falcó, Juan

Estudio de academia en el que se representa una figura masculina sentada sobre un sillar, duerme con la parte superior del cuerpo recostada hacia adelante sobre un almohadón. (Texto extractado de Pére [+]

Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan
Life study
Black chalk, White chalk on grey paper. 1704
Conchillos y Falcó, Juan

Estudio en el que se representa una figura masculina de pie, de espaldas, con los brazos alzados en actitud de golpear algo. (Texto extractado de Pérez Sánchez, A. E., Catálogo de dibujos. I. Dibujos [+]

Saint Gregory
Red chalk, White chalk on grey paper. Second half of the XVII century
Anonymous
Saint Gregory
Red chalk, White chalk on grey paper. Second half of the XVII century
Anonymous

San Gregorio se representa sentado, casi de perfil a la derecha, con un libro en las rodillas y la mano derecha arguyendo.De la segunda mitad del siglo XVII. (Texto extractado de Pérez Sánchez, A. E., [+]

It’s no use crying out
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
It’s no use crying out
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 58, It’s no use crying out.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

Foreshortened figure in the Battle of Cascina
Red chalk on grey paper. XVI century
Naldini, Giovanni Battista (Attributed To)
Foreshortened figure in the Battle of Cascina
Red chalk on grey paper. XVI century
Naldini, Giovanni Battista (Attributed To)

This badly damaged copy is after the foreshortened man who reaches down to rescue a drowning comrade in the so-called Bathers group in Michelangelo´s lost cartoon of the Battle of Cascina. The appeara [+]

Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spani [+]

There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de
There is no one to help them
Red chalk on grey laid paper. Ca. 1813
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 60, There is no one to help them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

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