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Allegory of Dawn
Black chalk, Touches of red chalk on yellow laid paper. Second half of the XVII century
Anonymous
Allegory of Dawn
Black chalk, Touches of red chalk on yellow laid paper. Second half of the XVII century
Anonymous

En el dibujo aparece representada una figura femenina alegórica, volando hacia la derecha, acompañada de genios infantiles y precedida de un ave, seguramente un gallo, derramando flores sobre la tierr [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

Half-lenght female figure, her hands raised up in prayer / half-length figure of a man, seen from the rear
Pencil, Red chalk, White chalk on yellow paper. Ca. 1600
Anonymous
Half-lenght female figure, her hands raised up in prayer / half-length figure of a man, seen from the rear
Pencil, Red chalk, White chalk on yellow paper. Ca. 1600
Anonymous

Formerly placed as by a follower of Andrea del Sarto. [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
The Virgin Appears to Saint Felix of Cantalice
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

La Virgen se encuentra sentada sobre unas nubes, en la parte superior derecha, y el Niño se aleja de su madre para dirigirse hacia San Félix, cuyos brazos abiertos esperan al pequeño que ha sido confi [+]

Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo
Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo

Since this drawing was believed in the past to be a work of Michelangelo (1475-1564), it was clearly much revered by at least two of its previous owners, Céan Bermudez adn Brun (?), in spite of [+]

Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de
The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de

La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]

The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe
The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe

Preparatorio para el grupo principal del lienzo pintado en 1634 para el Salón de Reinos del Buen Retiro, hoy en el Museo del Prado (P00858). Los dos generales a caballo son Ambrosio Spínola y Felipe M [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio
Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio

The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Ga [+]

Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous
Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous

Although currently placed as anonymous Itlian seventeenth century, the style is clearly that of Titian´s following, possibly an artist working in the ambit of Domenico Campagnola (1500-1564). The exec [+]

Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)
Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)

The gaiety and liveliness of the figures, the pictorial choice of media and the drawing´s lightness of touch suggest the work of Cesare Pollini, a little-known Umbrian painter and draftsman. Compariso [+]

Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]

Saint Michael Archangel
Black chalk on yellow laid paper. XVIII century
Anonymous
Saint Michael Archangel
Black chalk on yellow laid paper. XVIII century
Anonymous

De perfil a la derecha San Miguel, con un haz de rayos en la mano derecha y la izquierda terciada sobre el pecho, hollando al diablo que se precipita hacia la derecha. Muy terminado, como para una est [+]

Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban
Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban

The young saint sits on the ground, embracing a lamb and holding the cane cross in his left hand. This work is directly related to the painting that belonged to the Duke of Westminster. Mayer (1926) c [+]

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