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They make use of them
Pencil ground, Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
They make use of them
Pencil ground, Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 16, They make use of them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Span [+]

Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de
Chaste Venus
Charcoal, White chalk on wove paper. XIX century
Madrazo y Agudo, José de

[+]

These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]

Curarlos, y a otra
Red chalk on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Curarlos, y a otra
Red chalk on ivory laid paper. 1810
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 20, Get them well, and on to the next.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) th [+]

The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique
Red chalk, Red wash on ivory paper. 1814 - 1816
Goya y Lucientes, Francisco de
The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique
Red chalk, Red wash on ivory paper. 1814 - 1816
Goya y Lucientes, Francisco de

Here Goya bears witness to the prominence of the role of picadors in bullfights, showing both the triumphs and the calamities they face due to the risk inherent in their activity. He concentrates the [+]

Curarlos, y a otra
Black chalk, Red chalk on dark yellow wove paper. 1810
Goya y Lucientes, Francisco de
Curarlos, y a otra
Black chalk, Red chalk on dark yellow wove paper. 1810
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 20, Get them well, and on to the next.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) th [+]

Landscape
Graphite on wove paper. Ca. 1878
Haes, Carlos de
Landscape
Graphite on wove paper. Ca. 1878
Haes, Carlos de

Una casa hacia la izquierda, con un cuerpo bajo adosado con tejado en albardilla. En el centro, junto a la casa, árbol. A la derecha, lejano, un bloque como de una iglesia o fortaleza. Desde el ángulo [+]

Landscape
Graphite on wove paper. Ca. 1897
Haes, Carlos de
Landscape
Graphite on wove paper. Ca. 1897
Haes, Carlos de

En lo alto de tierras en pendiente olivos de troncos retorcidos y ramaje agitado. En el primer término, el borde del terreno muestra las huellas de la erosión (Gutiérrez Márquez, A., Carlos de Haes en [+]

Landscape
Graphite on wove paper. 1877 - 1884
Haes, Carlos de
Landscape
Graphite on wove paper. 1877 - 1884
Haes, Carlos de

[+]

Young woman fainting in the arms of an officer
Indian ink, Conté crayon, Wash on wove paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)
Young woman fainting in the arms of an officer
Indian ink, Conté crayon, Wash on wove paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)

The drawings in this Album were in the possession of Valentín Carderera, who made these two copies of originals whose whereabouts are unknown. The drawing of the fainted woman has been associat [+]

They can still serve
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
They can still serve
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the following one (D04245), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the ho [+]

Landscape
Graphite on wove paper. Ca. 1877
Haes, Carlos de
Landscape
Graphite on wove paper. Ca. 1877
Haes, Carlos de

En el centro, dos árboles de troncos retorcidos fuertemente inclinados hacia la izquierda. Al fondo, esbozo de otros árboles también inclinados y masas suaves de arbustos. A la derecha, una casa y aca [+]

A great hand to steal a rattle (Because he was tremulous)
Brush, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
A great hand to steal a rattle (Because he was tremulous)
Brush, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

You don’t know what a burden you are carrying
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
You don’t know what a burden you are carrying
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

The last part of Album C -drawings 119 through 131- consists of a group of images that present clergy of both sexes with a degree of irony emphasized by the titles that Goya wrote on each page. Critic [+]

Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de
Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de

[+]

Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de
Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de

[+]

Anónimo
Pencil, Grey-brown ink on wove paper. 1850 - 1870
Madrazo y Kuntz, Federico de
Anónimo
Pencil, Grey-brown ink on wove paper. 1850 - 1870
Madrazo y Kuntz, Federico de

Se trata de una carta formada por tres hojas numeradas, escrita en su totalidad con jeroglíficos, y que el artista dirigió a José Gómez de Arteche y Moro de Elexabeitia (1821-1906), militar, geógrafo [+]

That’s what you get for writing for idiots
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
That’s what you get for writing for idiots
Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

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