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Superficie de terreno en pendiente suave que luego se eleva. Masa de arbustos sobre la que destacan árboles fuertemente inclinados y retorcidos por la acción persistente de los vientos. Sus formas rec [+]
Canal que ocupa aproximadamente dos tercios de la parte inferior izquierda del paisaje. Por encima del canal, una construcción y un depósito cilíndrico de agua (Gutiérrez Márquez, A., Carlos de Haes e [+]
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The title of his drawings carries over from the previous drawing of the series, entitled The Daring of Martincho in the Ring at Saragossa. Martincho rose to fame with his daring passes. This compositi [+]
Apunte rápido de un árbol a la izquierda, fuertemente inclinado. En el centro, dos árboles con igual inclinación. Al fondo a la izquierda, masa de árboles y a la derecha, dos casas muy levemente anota [+]
Matojos en primer término. Grupo de árboles casi pelados. Cerca construida con troncos, a la derecha, junto a los árboles. Al dorso, dos ligerísimos y pequeños balandros (Gutiérrez Márquez, A., Carlos [+]
In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]
Preparatory drawing for Disasters of War, 20, Get them well, and on to the next.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) th [+]
Here Goya bears witness to the prominence of the role of picadors in bullfights, showing both the triumphs and the calamities they face due to the risk inherent in their activity. He concentrates the [+]
Preparatory drawing for Disasters of War, 20, Get them well, and on to the next.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) th [+]
Una casa hacia la izquierda, con un cuerpo bajo adosado con tejado en albardilla. En el centro, junto a la casa, árbol. A la derecha, lejano, un bloque como de una iglesia o fortaleza. Desde el ángulo [+]
En lo alto de tierras en pendiente olivos de troncos retorcidos y ramaje agitado. En el primer término, el borde del terreno muestra las huellas de la erosión (Gutiérrez Márquez, A., Carlos de Haes en [+]
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The drawings in this Album were in the possession of Valentín Carderera, who made these two copies of originals whose whereabouts are unknown. The drawing of the fainted woman has been associat [+]
Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]
The last part of Album C -drawings 119 through 131- consists of a group of images that present clergy of both sexes with a degree of irony emphasized by the titles that Goya wrote on each page. Critic [+]
A preparatory drawing for Disasters of War, 16, They make use of them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Span [+]
En el centro, dos árboles de troncos retorcidos fuertemente inclinados hacia la izquierda. Al fondo, esbozo de otros árboles también inclinados y masas suaves de arbustos. A la derecha, una casa y aca [+]
