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Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim
Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim

The Virgin and Child are placed on a hill in the centre of the foreground, isolated from the rest of the figures, as in the Berlin panel (Gemäldegalerie ). The dark forest here begins in the midd [+]

Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de
Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de

Sobre una explanada, arbustos cobijados por un pequeño promontorio. A la derecha, una construcción, semejante a un aljibe, y detrás, gran extensión de árboles frutales entre los que sobresalen los alt [+]

Kite attacking a Henhouse
Oil on canvas. 1650 - 1670
March, Miguel
Kite attacking a Henhouse
Oil on canvas. 1650 - 1670
March, Miguel

Miguel March is known primarily for his religious paintings, but this Valencian artist also painted genre scenes—especially still lifes with domestic settings of the sort presented here. Portús [+]

Saint Francis
Black chalk, White chalk on blue paper. 1787
Bayeu y Subías, Ramón
Saint Francis
Black chalk, White chalk on blue paper. 1787
Bayeu y Subías, Ramón

Dibujo preparatorio para la figura de un San Francisco. En se representa al santo arrodillado en una grada hacia la derecha y con los brazos extendidos. Muy relacionado con la figura de San Francisco [+]

The Virgin
Pencil, White chalk on blue paper. 1787
Bayeu y Subías, Ramón
The Virgin
Pencil, White chalk on blue paper. 1787
Bayeu y Subías, Ramón

Dibujo preparatorio para la figura principal del cuadro La Virgen con San Francisco y San Antonio de la Iglesia de Santa Ana de Valladolid, pintado seguramente en 1787 a la vez que Goya pinta los li [+]

An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio
An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio

This impressive study is a rare example of Aurelio Luini´s finished drawings in pen. The artist is better known for his more rapid pen studies, a feature of which is a rather ragged, disorderly [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous (Copy Polidoro Da Caravaggio)

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

The fantastic creature in the present sheet resembles those appearing as crests of helmets in some ornamental suits of armor manufactured in Northern Italy in the middle of the sixteenth century, part [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

[+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

Traditionally placed as after Pellegrino Tibaldi, whose frescoes of The Stories of Christ´s Passion painted in 1587-90 in the Escorial are similar in format to the composition of this drawing. [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous
The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous

Dibujo que presenta en primer termino a David en pie, con la espada y la honda en el brazo derecho y apoyado el izquierdo sobre la cabeza de Goliath que yace sobre un ara; en ella dos angelitos suenan [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

Charity / The Virgin and Saint Elizabeth
Red chalk on blue paper. XVI century
Cesi, Bartolomeo (Attributed To)
Charity / The Virgin and Saint Elizabeth
Red chalk on blue paper. XVI century
Cesi, Bartolomeo (Attributed To)

The rather dry technique of drawing in red chalk on light blue-grey paper suggest the work of the Bolognese painter Bartolomeo Cesi, who travelled to Rome in 1591, thought he may have visited the city [+]

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