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Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous
The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous

Dibujo que presenta en primer termino a David en pie, con la espada y la honda en el brazo derecho y apoyado el izquierdo sobre la cabeza de Goliath que yace sobre un ara; en ella dos angelitos suenan [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous
The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous

This is clearly a pastiche in the manner of Parmigianino, apparently by an eighteen-century hand, after a prototype that remains to be identified. [+]

Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous
Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous
Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous

The original drawing recorded in this copy was probably intended as a design for maiolica. The subject may be Artaxerxes pointing to the head of Cyrus. [+]

Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous
Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous

La composición perfectamente encuadrada. En el centro, Santa Cecilia, sentada y tocando un órgano, un angelito, ante ella, le muestra la partitura. Dibujo romano del primer tercio del siglo XVIII, que [+]

The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous
The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

The mocking of Christ
Pencil, Grey ink, Grey-brown ink, White lead, Wash on blue paper. XVI century
Anonymous
The mocking of Christ
Pencil, Grey ink, Grey-brown ink, White lead, Wash on blue paper. XVI century
Anonymous

Based on a composition by Jacobo Bassano. For another copy after a composition of Bassano, see Cavedone, Giacomo, D01834. [+]

The Assumption of the Virgin
Black chalk, White chalk on blue paper. Mid-XVIIIcentury
Anonymous
The Assumption of the Virgin
Black chalk, White chalk on blue paper. Mid-XVIIIcentury
Anonymous

La composición en vertical y encuadrada con unas líneas muy finas. La Virgen arrodillada sobre las nubes aparece llevada por ángeles.Dibujo notable que enlaza con la escuela napolitana de mediados del [+]

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