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The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim
Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim

The Virgin and Child are placed on a hill in the centre of the foreground, isolated from the rest of the figures, as in the Berlin panel (Gemäldegalerie ). The dark forest here begins in the midd [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Cardinal-Infante Ferdinand of Austria
Oil on unlined canvas. Ca. 1634
Dyck, Anthony Van
Cardinal-Infante Ferdinand of Austria
Oil on unlined canvas. Ca. 1634
Dyck, Anthony Van

An inventory from 1636 describes this striking portrait of the Infante Ferdinand: A half-length portrait, which the Marquis of Leganés brought back, of the Infante Ferdinand in the dress and ma [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

Enrique Simonet y Baca, the artist’s father
Oil on canvas. 1893
Simonet Lombardo, Enrique
Enrique Simonet y Baca, the artist’s father
Oil on canvas. 1893
Simonet Lombardo, Enrique

Simonet painted this portrait in Malaga on his return from a study period in Rome and following the success of Flevit super illam (1892). The image conveys the artist’s esteem for his father, a land r [+]

Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

The first documentation of Diego Velazquez´s Mars is from 1701-03, when it appeared in the inventory of paintings at the Torre de la Parada, the royal hunting pavilion on the outskirts of Madrid. The [+]

Infanta Isabel Clara Eugenia and Magdalena Ruiz
Oil on canvas. 1585 - 1588
Sánchez Coello, Alonso
Infanta Isabel Clara Eugenia and Magdalena Ruiz
Oil on canvas. 1585 - 1588
Sánchez Coello, Alonso

Alonso Sánchez Coello was court painter to Philip II and he united two different pictorial styles developed in the mid sixteenth century by Titian and Anthonis Mor respectively. Sánchez [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

The Virgin nursing the Child
Oil on panel. Ca. 1530
Reymerswale, Marinus Van
The Virgin nursing the Child
Oil on panel. Ca. 1530
Reymerswale, Marinus Van

Marinus has depicted the Virgin nursing the Child in a domestic interior. Both figures are shown without halos, turning the representation into an image of the tender relationship between a mother and [+]

Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba
Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba

This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la
Saint Anthony Abbot
Black chalk on white laid paper. Second half of the XVIII century
Cruz Vázquez, Manuel de la

Sentado bajo un árbol, con las manos juntas y la mirada alzada. A su lado, tendido, el cerdo. Rematado en forma mixtilínea como lienzo de altar. (Texto extractado de Pérez Sánchez, A. E.: Catálogo de [+]

The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato
The Adoration of the Shepherds
Pencil on white paper. Second quarter of the XVIII century
Creti, Donato

This drawing is a more complete variant on the central part of a drawing by Creti at the Albertina in Vienna. The composition is quite similar to a canvas with Adoration of the Shepherds from around 1 [+]

Saint Joseph’s Dream
Black chalk, Pencil, Grey-brown wash on white paper. 1668 - 1682
Murillo, Bartolomé Esteban
Saint Joseph’s Dream
Black chalk, Pencil, Grey-brown wash on white paper. 1668 - 1682
Murillo, Bartolomé Esteban

Semejante en la composición a un dibujo conservado en el Fogg Art Museum de la Universidad de Cambridge, fechado en los años tardíos de la actividad del artista. [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

Head of a Woman
Red chalk on white paper. Late XVII century
Anonymous
Head of a Woman
Red chalk on white paper. Late XVII century
Anonymous

Dibujo en el que se presenta el estudio de una cabeza femenina de frente, como de cariátide.No es original, sino calco de otro a sanguina. Es romano de finales del siglo XVII, en relación con modelos [+]

Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico
Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico

This drawing is one of a series by Giandomenico Tiepolo dedicated to centaurs, fauns and other mythological creatures. The series is one of the most original creations by Giandomenico, son of Giambatt [+]

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