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View of the Monastery of San Lorenzo de El Escorial
Oil on canvas. Ca. 1722
Houasse, Michel-Ange
View of the Monastery of San Lorenzo de El Escorial
Oil on canvas. Ca. 1722
Houasse, Michel-Ange

This painting is part of a series of pictures of the Royal Sites which includes five panoramas of El Escorial from different viewpoints. They are all unmistakably descriptive in nature as the emphasis [+]

The Painter's Children in the Japanese Room
Oil on canvas. 1874
Fortuny, Mariano
The Painter's Children in the Japanese Room
Oil on canvas. 1874
Fortuny, Mariano

Fortuny’s sudden death left this painting unfinished, yet it remains one of his finest pieces, and the maximum expression of the audacious pictorial modernity that characterizes his mature work.The tw [+]

The west or Velázquez façade of the Museo del Prado
Albumen on card, photographic paper. 1860 - 1862
Clifford, Charles
The west or Velázquez façade of the Museo del Prado
Albumen on card, photographic paper. 1860 - 1862
Clifford, Charles

Designed by Juan de Villanueva, the building that houses the Museo del Prado has always been an indispensable landmark in Madrid’s urban landscape. Since the mid 1820s, numerous artists have taken an [+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
No one has seen us
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Might not the pupil know more?
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
All will fall
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Poor little things!
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Those specks of dusts
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Mummy’s Boy
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Mummy’s Boy
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous

This drawing is one of a set of 77 anonymous copies of Goya´s Caprichos, which have no apparent relation to Martín Rico´s work but became a part of his collection in the second half [+]

She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
She is ashamed that her Mother speaks to her in public, and she says, God forgive you
Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching of Capricho 16. For Heaven’s sake: And it was his Mother (G02104) is part of the Dreams series, which consists of twenty-six pen drawings that form the basis o [+]

Of what ill will he die?
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous
Of what ill will he die?
Pencil, Pencil, Indian ink, Grey ink, Wash on laid paper. Mid-XIXcentury
Anonymous

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]

Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín
Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín

The drawings in this Album were in the possession of Valentín Carderera, who made copies of originals whose whereabouts are unknown. The naked young woman, similar to others in the Album, shows [+]

Young woman sweeping
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín
Young woman sweeping
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín

Este dibujo copia el de Goya que se conserva en el Museo del Prado, D7360/1. Sobre el Álbum A de Goya, véase el comentario en, D04184. [+]

Shameless with absolutely all of them
Brush, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Shameless with absolutely all of them
Brush, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert
The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert

Esta obra presenta dibujos en las dos caras. Se muestra en el anverso en tinta parda con finos toques de albayalde El regreso del hijo pródigo y en el reverso la historia del buen samaritano, otra par [+]

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