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Self-portrait
Tempera on canvas mounted on panel. 1947
Fortuny y Madrazo, Mariano
Self-portrait
Tempera on canvas mounted on panel. 1947
Fortuny y Madrazo, Mariano

Mariano Fortuny Madrazo (Granada, 1871-Venecia, 1949) se autorretrata en busto, de frente y hasta los hombros, a la edad de setenta y seis años. Aparece vestido con la bata que usaba habitualmente par [+]

The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous
The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous

Es dibujo de buena calidad y de escuela boloñesa de la primera mitad del siglo XVIII, relacionado con el estilo de Antonio Gionima.En él se representa en la parte baja a los apóstoles, arrodillados y [+]

Louis XIII, King of France
Pencil, Wash on brown paper. XVIII century
Loo, Carle Van
Louis XIII, King of France
Pencil, Wash on brown paper. XVIII century
Loo, Carle Van

Dibujo preparatorio para el cuadro "Le voeu de Louis XIII", que se conserva en la iglesia de Notre Dame des Victoires de Paris. Sobre el dibujo, en la esquina inferior derecha, está un sello con las i [+]

Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

Gustave Deville
Pencil on brown paper. 1844
Madrazo y Kuntz, Federico de
Gustave Deville
Pencil on brown paper. 1844
Madrazo y Kuntz, Federico de

[+]

Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico
Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico

El modelo, sentado sobre una roca, de perfil hacia la izquierda sostiene una vara con su mano izquierda y hace un gesto de asombro con la derecha. Los cuatro estudios de academia (D03404, D03405, D034 [+]

A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous
A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous

Dibujo que reprenda a una Sibila sentada sobre nubes, sostiene un libro en la mano derecha y alza la cabeza, tocada con un turbante. Es apunte boloñés de mediados del s. XVII, inspirado en las composi [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
Winged angels seated on clouds
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

The old attribution CORREGIO, in which both Brun (?) and Fernández Durán may have believed, is not correct. The drawing displays some stylistic traits associable with Bernardino India, t [+]

The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)
The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)

The drawing´s style points more in the direction of Giovanni Battista Castello than Cambiaso. Typically, Castello´s line-work is more consistent in thickness, with fewer and less powerfully emphasized [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo
Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo

La composición de este Ecce Homo se encuentra incluida en un medio punto, donde aparecen las tres figuras de tres cuartos, Cristo en el centro rodeado por tres sayones.La atribución antigua a Ghitti e [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Studies of Figures and Animals
Pencil, Grey-brown ink on brown paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

This adn the following eight drawings appear to be by the same mediocre hand, by whom there are several other drawings in the Prado scattered throughout the collection under a number of different attr [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
Moses about to Break the Tablets of the Law
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

This is a sixteenth-century copy after Parmigianino’s fresco of Moses in the Steccata at Parma [+]

Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous
Youth in classical dress, standing with his head in profile to the left and holding a staff in his left hand
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous

[+]

Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous
Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous

Dibujo en el que se representa, en un fondo con paisaje, a San Francisco arrodillado en primer término ante el Crucifijo. La obra enlaza con el círculo de los seguidores de Annibale Carracci (Texto ex [+]

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