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Marianne of Austria, Queen of Spain
Oil on copperplate. Ca. 1655
Anonymous
Marianne of Austria, Queen of Spain
Oil on copperplate. Ca. 1655
Anonymous

Mariana de Austria, hija del emperador Fernando III (1608-1675) y de la infanta española María Ana de Austria, hija menor de Felipe III y de Margarita de Austria (1606-1646), nació en el Palacio Imper [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous
Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous

Formerly placed as Martin de Vos, the composition and figure types point rather to the work of Calvaert. [+]

Sheet of Studies of Faces in Profile to the Left
Red chalk on yellow paper. First quarter of the XVI century
Anonymous
Sheet of Studies of Faces in Profile to the Left
Red chalk on yellow paper. First quarter of the XVI century
Anonymous

This is one of the drawings in the Prado carried out by one or more of Michelangelo’s associates, possibly copied from original studies by the master himself. Along with the two drawings by Michelange [+]

Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

The composition resembles in reverse the lower half of Cambiaso´s great altarpiece in the monastery of San Lorenzo, El Escorial (now Sala de Capas), painted in Genoa and dispatched in 1581, two years [+]

Saint Jerome
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Saint Jerome
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Connected by the Suidas to Cambiaso´s fresco of St. Jerome Standing in a Niche, painted by Cambiaso and assistants, probably in the last year of the artist´s life, on one of the lateral walls of the C [+]

The Flagellation
Red chalk on dark yellow paper. After 1656
Anonymous
The Flagellation
Red chalk on dark yellow paper. After 1656
Anonymous

Es copia concluida y de muy buena calidad de un cuadro de Maratti, hoy perdido, en la Capilla Ludovisi de la Iglesia de San Isidoro Agrícola de Roma, pintado por el artista en 1656. De esta obra se co [+]

The rape of the sabines
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The rape of the sabines
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

The principal drawn version of this composition is in the British Museum, London. The British Museum drawing was engraved by Bernard Picart in 1729). Another, weaker version of the composition is at B [+]

Portrait of a bearded man
Pastel on paper. XVI century
Anonymous
Portrait of a bearded man
Pastel on paper. XVI century
Anonymous

Drawing perhaps after a painted portrait. [+]

Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous
Life study of a seated man with a staff
Charcoal, White chalk on wallpaper, laid paper. 1750 - 1800
Anonymous

El rostro es muy cercano a Anton von Maron (1733-1808). En este momento Mengs ya estaba en Roma y era Director de la Academia, por lo que seguramente eligió o influyó en la elección de esta postura. [+]

The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous
The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous

This is one of the few copies to survive showing the whole of Polidoro´s famous frieze with the Story of Niobe, painted below the windows of the first floor of the Palazzo Milesi, Via della Maschera d [+]

Saint Augustine Enthroned with Angelic Helpers
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous
Saint Augustine Enthroned with Angelic Helpers
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous

The Prado drawing is a good copy, probably datable from the mid-sixteenth century, after Pordenone´s fresco in the church of S. Maria di Campagna, Piacenza, painted in c. 1533-1535. [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

De origen japonés, el abanico era considerado un objeto indispensable en las manos de las damas ilustres y de las humildes mujeres del pueblo, por lo que era considerado uno de los elementos más preci [+]

Fan with ivory ribs
Ivory. XVIII century
Anonymous
Fan with ivory ribs
Ivory. XVIII century
Anonymous

This fan has inlaid ivory ribs with Chinese motifs and some gold touches with paint at the bottom; the guides are also made of ivory with pebble-like painted motifs. The paper leaf is decorated with p [+]

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