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This popular scene, traditionally interpreted as being set in an Andalusian context, could also be set in Madrid. Drawn with just the tip of the brush, it stands out for the light wash used to depict [+]
This drawing’s composition, its relaxed and summary technique and the paper on which it was drawn are all related to the preparatory drawings for the Disparates, although there is no known engraved ve [+]
The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]
Considering the main characters of the other compositions in the Album, such as the one overleaf, this young woman shown on the bed next to her maid can only be understood in a context of prostitution [+]
This young woman in fashionable walking dress has a formal relationship with the portrait of the Duchess of Alba in black (1799) and even more so with the young women from the Madrid Album and the Cap [+]
La estampa, Tauromaquia, 12, Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas, pertenece a la serie grabada por Goya, dominada siempre por el patetismo trágico, entre la pr [+]
Entre 1777 y 1778 diversos ilustrados manifestaron su preocupación por la falta de grabadores que acometieran el proyecto de reproducir las pinturas que se conservaban en las colecciones españolas, fu [+]
Entre 1777 y 1778 diversos ilustrados manifestaron su preocupación por la falta de grabadores que acometieran el proyecto de reproducir las pinturas que se conservaban en las colecciones españolas, fu [+]
