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Girl dancing to a guitar
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Girl dancing to a guitar
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

This popular scene, traditionally interpreted as being set in an Andalusian context, could also be set in Madrid. Drawn with just the tip of the brush, it stands out for the light wash used to depict [+]

Two people looking into a luminous room
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Two people looking into a luminous room
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

This drawing’s composition, its relaxed and summary technique and the paper on which it was drawn are all related to the preparatory drawings for the Disparates, although there is no known engraved ve [+]

Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Young woman sweeping
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The Museo del Prado has four drawings (e/f [D04184, D04183], g/h [D04342, D04342/1], i/j [D04185, D04186], m/n [D07360, D07360/1]) with scenes on both sides from what is known as Goya’s Album A or San [+]

Siesta
Ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Siesta
Ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

Considering the main characters of the other compositions in the Album, such as the one overleaf, this young woman shown on the bed next to her maid can only be understood in a context of prostitution [+]

Majo on a stroll
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
Majo on a stroll
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

This young woman in fashionable walking dress has a formal relationship with the portrait of the Duchess of Alba in black (1799) and even more so with the young women from the Madrid Album and the Cap [+]

Approaching the bull with lances, scimitars, banderillas and other weapons
Drypoint, Etching, Aquatint, Burnisher on white laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
Approaching the bull with lances, scimitars, banderillas and other weapons
Drypoint, Etching, Aquatint, Burnisher on white laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

La estampa, Tauromaquia, 12, Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas, pertenece a la serie grabada por Goya, dominada siempre por el patetismo trágico, entre la pr [+]

Prince Baltasar Carlos on Horseback
Drypoint, Etching on laid paper. 1778
Goya y Lucientes, Francisco de
Prince Baltasar Carlos on Horseback
Drypoint, Etching on laid paper. 1778
Goya y Lucientes, Francisco de

Entre 1777 y 1778 diversos ilustrados manifestaron su preocupación por la falta de grabadores que acometieran el proyecto de reproducir las pinturas que se conservaban en las colecciones españolas, fu [+]

Prince Baltasar Carlos on Horseback
Drypoint, Etching on white wove paper. 1778
Goya y Lucientes, Francisco de
Prince Baltasar Carlos on Horseback
Drypoint, Etching on white wove paper. 1778
Goya y Lucientes, Francisco de

Entre 1777 y 1778 diversos ilustrados manifestaron su preocupación por la falta de grabadores que acometieran el proyecto de reproducir las pinturas que se conservaban en las colecciones españolas, fu [+]

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