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¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
¡Que Necedad! darles destinos en la niñez
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)
Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)

The drawings in this Album were in the possession of Valentín Carderera, who made these two copies of originals whose whereabouts are unknown. The naked young woman, similar to others in the Al [+]

They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
They eat a lot
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Several drawings in these albums predominantly feature clergymen, all of which have a satirical tone. In this case, a friar laboriously prepares to relieve himself, consequentially, as Goya´s title su [+]

Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de
The Virgin of Atocha
Pencil, Grey-brown wash on yellow laid paper. 1654
Herrera Barnuevo, Sebastián de

La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 81, Fierce Monster!. This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of whic [+]

The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del
The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del

Sentada sobre una nube, con las manos sobre el pecho y coronada de estrellas, aplasta con el pie derecho la serpiente que se enrosca junto al creciente de la luna. A su derecha un angel mancebo y otro [+]

But if he broke the pitcher
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
But if he broke the pitcher
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 25. Enlightenment intellectuals saw education as the basis for their social reforms. Goya offers eloquent examples of this concept in the numerous Caprichos that illus [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis

Arrodillado, de perfil a la derecha, el santo recibe la casulla de manos de la Virgen, sentada en un trono de nubes a la derecha. En primer término dos ángeles niños juegan con el báculo y tras el san [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio
The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio

En un interior, de forma absidial, y sobre unas gradas, aparece representada la Virgen, sedente, con el Niño de pie en su regazo. Tras ella se sitúa Santa Ana y a su lado derecho, San Juanito, con el [+]

Apparition of the Virgin to a Saint Dominic
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Circle Of Cano, Alonso)
Apparition of the Virgin to a Saint Dominic
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Circle Of Cano, Alonso)

El Santo, arrodillado con la cabeza y la mano izquierda sobre el pecho, contempla a la Virgen que se le aparece sentada con el Niño en las rodillas, sobre un altar y rodeada de ángeles niños y de un g [+]

They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de
They do not know the way
Red chalk on laid paper. Ca. 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 70, They do not know the way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the S [+]

Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was never engraved. Its composition -specifically, the central figure of a woman fleeing- led Gassier and Wilson to suggest that the drawing may [+]

Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Taking the wounded to the hospital
Red chalk, Conté crayon on dark yellow laid paper. Ca. 1812
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters was neither engraved nor published. Its composition merges two groups of figures from drawing D03990. The postures and formal definition coincide in both d [+]

The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio
The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio

Dibujo en el que se representa al apóstol de media figura, de frente, apoyado en el bordón, con la mirada alzada.Preparatorio para la figura correspondiente en la Asunción de la Virgen de la Iglesia d [+]

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