The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
15 results
They play another with the cape in an enclosure
Red chalk on laid paper. 1814 - 1816
Goya y Lucientes, Francisco de
They play another with the cape in an enclosure
Red chalk on laid paper. 1814 - 1816
Goya y Lucientes, Francisco de

Here in his distinctive visual history of bullfighting, Goya shows an enclosure closed with a barrier, and three Arabs inside, one of them kneeling in a similar posture to that of prayer in a mosque. [+]

Satan’s desperation
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Satan’s desperation
Red chalk, Red wash on laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]

The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert
The Return of the Prodigal Son / The Good Samaritan
Pencil, Pencil, Indian ink wash, Indian ink, White lead on dark toned paper, wallpaper, laid paper. Ca. 1635
Bramer, Leonaert

Esta obra presenta dibujos en las dos caras. Se muestra en el anverso en tinta parda con finos toques de albayalde El regreso del hijo pródigo y en el reverso la historia del buen samaritano, otra par [+]

The beds of death
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de
The beds of death
Red chalk on laid paper. Ca. 1813
Goya y Lucientes, Francisco de

If death has been explicit and omnipresent over the course of the numerous Hunger prints, its name has not appeared in their titles until now. This work may be one of the most expressive of all, as we [+]

Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de
Universal Language. The Author dreaming
Black chalk, Pencil, Iron gall ink on laid paper. 1797
Goya y Lucientes, Francisco de

International Language is the preparatory drawing for the well-known Capricho 43, The Sleep of Reason Produces Monsters, and it bears the marks of having been transferred to the copper plate. The fina [+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

Conversion of Saint Paul
Pencil, Pencil ground, Grey-brown ink, Wash on dark toned laid paper. XVIII century
Anonymous
Conversion of Saint Paul
Pencil, Pencil ground, Grey-brown ink, Wash on dark toned laid paper. XVIII century
Anonymous

The same composition is recorded in the Cambiaso Album, no.31, D01825, where two further drawn versions of the design, including one probably by Cambiaso himself, are cited. The draftsman responsible [+]

Life study
Red chalk, Touches of white chalk on dark toned laid paper. XVIII century
Álvarez de la Peña, Manuel
Life study
Red chalk, Touches of white chalk on dark toned laid paper. XVIII century
Álvarez de la Peña, Manuel

Desnudo varonil sentado en una grada, casi de perfil hacia la izquierda, con el torso casi de frente y el brazo izquierdo alzado tras la cabeza (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II [+]

The Worst is to beg
Red chalk, Conté crayon on laid paper, continuous paper. 1812 - 1814
Goya y Lucientes, Francisco de
The Worst is to beg
Red chalk, Conté crayon on laid paper, continuous paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for the print Disasters of War, 55, The Worst is to beg. One of Goya’s most singular conceptual contributions in his series of prints, Disasters of War, is his manner of represen [+]

Bitter presence
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Bitter presence
Red chalk on laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that is remote from the propagandistic im [+]

I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de
I am still learning
Black chalk, Lithographic crayon on grey laid paper. Ca. 1826
Goya y Lucientes, Francisco de

I am still learning, from the Bordeaux Sketchbook G, dates from around 1825-28, and may well be the drawing that best sums up Goya’s spirit in the final years of his life. In fact, it has become a rec [+]

Not even with those. What a tyranny
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Not even with those. What a tyranny
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

Some drawings present an iconography difficult for us to understand today. Added to this is the inclusion of titles that are voluntarily vague and hinder our interpretation. In this case, the figure o [+]

The Count of Gondomar
Stipple engraving, Etching, Burin on laid paper, wove paper. 1750 - 1820
Priwitzer, Johannes; Cooper, Richard
The Count of Gondomar
Stipple engraving, Etching, Burin on laid paper, wove paper. 1750 - 1820
Priwitzer, Johannes; Cooper, Richard

Encuadernada en un álbum, de la familia Douglas-Pennant, sobre obras de Velázquez. Reproduce un retrato del conde de Gondomar, lienzo pintado por Johanes Privitzer o Juan Privisier, procedente de la C [+]

Lads Making Ready
Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Lads Making Ready
Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 11, Lads Making Ready (G02099 / G00644) is part of Caprichos. The subject matter was common in that period in compositions employed by Enlightenment critics. The print and drawing have differ [+]

Up