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Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente
Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente

Saint Joseph’s Dream represent the order received by St Joseph to save the Christ child from the slaughter of the Innocent, and the release of the Liberation of Saint Peter (P03141), was imprisoned by [+]

Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John
Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John

Opie depicts his elegant sitter dressed in the fashion of the day and holding a rolled up paper that may be a plan in his right hand. Located in the immediate foreground, the figure stands out strongl [+]

The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
The Inquisition
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van
Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early i [+]

The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de
The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de

Christ appears in the tax collector’s office and calls on Matthew to follow him. Matthew, depicted raising his right hand to his breast and with a star above his head, would become one of Christ’s mos [+]

Sir Thomas More
Oil on panel. 1625 - 1630
Rubens, Peter Paul
Sir Thomas More
Oil on panel. 1625 - 1630
Rubens, Peter Paul

This is a free copy of Hans Holbein´s portrait of the Thomas More, the English humanist and statesman. He wears a cape with a fur collar and a magistrate´s cap. In his hands, he holds a paper alluding [+]

The Sense of Sight
Oil on panel. 1617
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Sight
Oil on panel. 1617
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes cr [+]

Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)
Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)

Christ is presented as the Savior of the World, blessing humankind, between Saint John and the Virgin, who turn towards him. The three figures are shown three-quarters under arches with a complex goth [+]

Kite attacking a Henhouse
Oil on canvas. 1650 - 1670
March, Miguel
Kite attacking a Henhouse
Oil on canvas. 1650 - 1670
March, Miguel

Miguel March is known primarily for his religious paintings, but this Valencian artist also painted genre scenes—especially still lifes with domestic settings of the sort presented here. Portús [+]

Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y
Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y

Following his appointment as painter to the King in 1623, Velázquez`s principal task was that of portraying the monarch and his circle. In order to do so he primarily made use of two different [+]

The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo
The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo

Célebre por sus escenas de género inspiradas en las obras de Teniers y de Wouwerman que pudo ver en el Museo del Prado, Alenza está considerado como el gran narrador de las costumbres de las clases má [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

Tomasa de Aliaga, Widow of Manuel Pablo Salcedo
Oil on canvas. Ca. 1787
Carnicero, Antonio
Tomasa de Aliaga, Widow of Manuel Pablo Salcedo
Oil on canvas. Ca. 1787
Carnicero, Antonio

The inscription on the sheet of paper on the table records that the sitter was nursemaid to one of Charles IV’s daughters, the Infanta María Amalia (1779-1798). A typical portrait of the period [+]

Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el [+]

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