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Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)
Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)

Christ is presented as the Savior of the World, blessing humankind, between Saint John and the Virgin, who turn towards him. The three figures are shown three-quarters under arches with a complex goth [+]

Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente
Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente

Saint Joseph’s Dream represent the order received by St Joseph to save the Christ child from the slaughter of the Innocent, and the release of the Liberation of Saint Peter (P03141), was imprisoned by [+]

Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio

When describing the work of this prolific painter of still lifes, it is frequently said that Luis Meléndez included only commonplace objects in his canvases; this painting, in fact, offers the [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo
The Drunkard
Oil on cardboard. Ca. 1835
Alenza, Leonardo

Célebre por sus escenas de género inspiradas en las obras de Teniers y de Wouwerman que pudo ver en el Museo del Prado, Alenza está considerado como el gran narrador de las costumbres de las clases má [+]

Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John
Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John

Opie depicts his elegant sitter dressed in the fashion of the day and holding a rolled up paper that may be a plan in his right hand. Located in the immediate foreground, the figure stands out strongl [+]

Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y
Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y

Following his appointment as painter to the King in 1623, Velázquez`s principal task was that of portraying the monarch and his circle. In order to do so he primarily made use of two different [+]

Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de
Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de

Sobre una explanada, arbustos cobijados por un pequeño promontorio. A la derecha, una construcción, semejante a un aljibe, y detrás, gran extensión de árboles frutales entre los que sobresalen los alt [+]

The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de
The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de

Christ appears in the tax collector’s office and calls on Matthew to follow him. Matthew, depicted raising his right hand to his breast and with a star above his head, would become one of Christ’s mos [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Diptych with 42 Monumental Views of Spanish Cities
Oil on paper, panel, tin plate. 1835 - 1839
Pérez Villaamil y Duguet, Genaro
Diptych with 42 Monumental Views of Spanish Cities
Oil on paper, panel, tin plate. 1835 - 1839
Pérez Villaamil y Duguet, Genaro

Genaro Pérez Villaamil (El Ferrol, 1807-Madrid, 1854) can be considered the most significant and influential Spanish Romantic landscape painter and an artist who had an intense interest, charac [+]

Charles II
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan
Charles II
Oil on canvas. Ca. 1675
Carreño de Miranda, Juan

The son of Felipe IV (1605-1665) and Mariana of Austria (1634-1696), Carlos II (1661-1700) was the last King of the Hapsburg Dynasty in Spain. He appears dressed in black, with the chain of the Golden [+]

Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de
Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de

[+]

Still Life with Partridges, Onions, Garlic and Vessels
Oil on canvas. Last third of the XVIII century
Meléndez, Luis Egidio
Still Life with Partridges, Onions, Garlic and Vessels
Oil on canvas. Last third of the XVIII century
Meléndez, Luis Egidio

Hunting subjects are rare in Meléndez's work. Here, two multicolored partridges are the composition's main theme. Alongside them, in the foreground, are two cloves of garlic, some paper packages and t [+]

Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el [+]

Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Atropos or The Fates
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

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