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Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Two Women and a Man
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de
Palm Threes at Elche
Oil on cardboard. Ca. 1861
Haes, Carlos de

Sobre una explanada, arbustos cobijados por un pequeño promontorio. A la derecha, una construcción, semejante a un aljibe, y detrás, gran extensión de árboles frutales entre los que sobresalen los alt [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Mountain Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de
Mountain Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de

This work shows a setting on the outskirts of the town of Jaraba, bordering the province of Guadalajara at the southeastern edge of the province of Zaragoza in the Mesa River Cañon between Jara [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente
Saint Joseph's Dream
Oil on paper attached to cardboard. 1791 - 1792
López Portaña, Vicente

Saint Joseph’s Dream represent the order received by St Joseph to save the Christ child from the slaughter of the Innocent, and the release of the Liberation of Saint Peter (P03141), was imprisoned by [+]

Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John
Portrait of a Man
Oil on canvas. Ca. 1800
Opie, John

Opie depicts his elegant sitter dressed in the fashion of the day and holding a rolled up paper that may be a plan in his right hand. Located in the immediate foreground, the figure stands out strongl [+]

Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio

When describing the work of this prolific painter of still lifes, it is frequently said that Luis Meléndez included only commonplace objects in his canvases; this painting, in fact, offers the [+]

Palm Grove (Elche)
Oil on paper attached to cardboard. Ca. 1861
Haes, Carlos de
Palm Grove (Elche)
Oil on paper attached to cardboard. Ca. 1861
Haes, Carlos de

En una composición horizontal, favorecida por el propio formato del soporte, se plasma una llanura con un desnivel en el centro del terreno en el que junto a un bosque de palmeras se alza un aljibe pa [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van
Rustic Concert
Oil on panel. 1638
Ostade, Adriaen Van

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early i [+]

Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de
Landscape, El Pardo
Oil on cardboard on panel. 1910 - 1911
Beruete, Aureliano de

[+]

The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de
The Calling of Saint Matthew
Oil on canvas. 1661
Pareja, Juan de

Christ appears in the tax collector’s office and calls on Matthew to follow him. Matthew, depicted raising his right hand to his breast and with a star above his head, would become one of Christ’s mos [+]

Still Life with Partridges, Onions, Garlic and Vessels
Oil on canvas. Last third of the XVIII century
Meléndez, Luis Egidio
Still Life with Partridges, Onions, Garlic and Vessels
Oil on canvas. Last third of the XVIII century
Meléndez, Luis Egidio

Hunting subjects are rare in Meléndez's work. Here, two multicolored partridges are the composition's main theme. Alongside them, in the foreground, are two cloves of garlic, some paper packages and t [+]

The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Lamentation
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

Christ rests, lifeless, on his own shroud. He is held by his Mother, who looks imploringly to the heavens. Mary Magdalene kisses his hand while Saint John contemplates the scene from behind. The Crown [+]

Sir Thomas More
Oil on panel. 1625 - 1630
Rubens, Peter Paul
Sir Thomas More
Oil on panel. 1625 - 1630
Rubens, Peter Paul

This is a free copy of Hans Holbein´s portrait of the Thomas More, the English humanist and statesman. He wears a cape with a fur collar and a magistrate´s cap. In his hands, he holds a paper alluding [+]

Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)
Christ between the Virgin Mary and Saint John the Baptist
Oil on paper, panel. 1510 - 1520
Gossaert, Jan (Jean Gossart, Also Called Mabuse)

Christ is presented as the Savior of the World, blessing humankind, between Saint John and the Virgin, who turn towards him. The three figures are shown three-quarters under arches with a complex goth [+]

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