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Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Interior of the Crystal Palace during the Universal Exhibition of London of 1851
Albumen on photographic paper. Ca. 1851
Anonymous
Interior of the Crystal Palace during the Universal Exhibition of London of 1851
Albumen on photographic paper. Ca. 1851
Anonymous

[+]

The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)
The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous
View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous
The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous

Dibujo en el que se representa a la Virgen Inmaculada en pie, sobre el creciente de la luna, con las manos juntas y la cabeza inclinada; a su derecha, un ángel niño con espada flamígera, acosa al drag [+]

The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous
The Virgin of the Rosary
Black chalk on laid paper. XVIII century
Anonymous

Dibujo en el que se representa a la Virgen del Rosario lujosamente vestida, con rostrillo y corona, lleva el Niño sobre el brazo izquierdo y con la derecha sostiene un rosario y unas flores.En la mism [+]

Hercules and the Erymanthian Boar
Black chalk on white paper. XVII century
Anonymous
Hercules and the Erymanthian Boar
Black chalk on white paper. XVII century
Anonymous

Es dibujo de difícil clasificación dentro de la escuela italiana, fechable a fines del siglo XVII, y tal vez de escuela napolitana.(Texto extractado de Mena Marqués, M.B., Catálogo de dibujos. VI. Dib [+]

The Assumption of the Virgin
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Anonymous
The Assumption of the Virgin
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Anonymous

Dibujo que indica un remate de medio punto, como un cuadro de altar. En él se representa a la Virgen con los brazos abiertos, asciende sostenida por cinco ángeles y dos querubines. Otros dos ángeles n [+]

Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on laid paper. Second half of the XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado de frente, con cuatro clavos y fondo de arquitectura. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Dibujos Españoles. Si [+]

Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous
Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado con la cabeza alzada, vuelta a la izquierda y tres clavos.Parece copia de escultura, a la que se ha suprimido la cruz. (Texto extractado de Pérez Sá [+]

Pietà
Black chalk on dark yellow paper. XVIII century
Anonymous
Pietà
Black chalk on dark yellow paper. XVIII century
Anonymous

Dibujo de una Piedad, en una composición recuadrada. En ella se representa a la Virgen que, sentada junto al sepulcro, enjuga sus lágrimas. El cuerpo de Cristo muerto recostado sobre su madre, con el [+]

The Virgin Dolorosa
Red chalk on yellow laid paper. XVIII century
Anonymous
The Virgin Dolorosa
Red chalk on yellow laid paper. XVIII century
Anonymous

Recuadrado cuidadosamente como para estampa. El Dibujo representa a la Dolorosa de frente, con las manos cruzadas sobre el regazo y la cabeza ligeramente inclinada. (Texto extractado de Pérez Sánchez, [+]

St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)
Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)

Copia del siglo XVIII de la obra de Ribera del lienzo San Sebastian curado por las Santas Mujeres (1621), en el Museo de Bilbao. El cuadro perteneció al marqués de Leganés y estuvo en la Sala Capitula [+]

Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Venus and Cupid
Pencil, Grey-brown ink on paper. XVI century
Anonymous

The drawing has been detached from the Album page and the old numbering lost. Cupid is here represented as older than on the other composition of the subject from the Album group. That he is indeed Cu [+]

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