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Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

All Saints Church, Kingston upon Thames, Surrey
Albumen on photographic paper. Ca. 1858
Anonymous
All Saints Church, Kingston upon Thames, Surrey
Albumen on photographic paper. Ca. 1858
Anonymous

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

St Raphael’s Church, Kingston upon Thames, Surrey
Albumen on photographic paper. Ca. 1858
Anonymous -Photographer- (After Parker, Charles)
St Raphael’s Church, Kingston upon Thames, Surrey
Albumen on photographic paper. Ca. 1858
Anonymous -Photographer- (After Parker, Charles)

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of the Sibyl at Tivoli
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Interior of the Crystal Palace during the Universal Exhibition of London of 1851
Albumen on photographic paper. Ca. 1851
Anonymous
Interior of the Crystal Palace during the Universal Exhibition of London of 1851
Albumen on photographic paper. Ca. 1851
Anonymous

[+]

The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous
The Temple of Venus in Pompeii seen from the south
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)
The altar and tabernacle for the cathedral of Oviedo
Albumen on photographic paper. Ca. 1869
Anonymous -Photographer- (After Madrazo y Kuntz, Juan de)

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous
View of the Arch of Titus in Rome
Salt paper on photographic paper. 1848 - 1852
Anonymous

[+]

Heliotrope cup with two gold masks, Cup with a lid supported by a female figure, Bloodstone vessel with three gold-coloured dolphins
Albumen on photographic paper. Ca. 1879
Anonymous; Laurent y Minier, Juan
Heliotrope cup with two gold masks, Cup with a lid supported by a female figure, Bloodstone vessel with three gold-coloured dolphins
Albumen on photographic paper. Ca. 1879
Anonymous; Laurent y Minier, Juan

[+]

Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan
Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan

[+]

Shanklin Church
Albumen on photographic paper. Ca. 1858
Anonymous
Shanklin Church
Albumen on photographic paper. Ca. 1858
Anonymous

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

Agate vessel with three bands of cameos, Jasper and chalcedony tazza with garlands , Agate vessel with three bands of cameos
Albumen on photographic paper. Ca. 1879
Anonymous; Ladoireau, Pierre; Laurent y Minier, Juan
Agate vessel with three bands of cameos, Jasper and chalcedony tazza with garlands , Agate vessel with three bands of cameos
Albumen on photographic paper. Ca. 1879
Anonymous; Ladoireau, Pierre; Laurent y Minier, Juan

[+]

Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Estudio de una cabeza femenina; ésta se representa con el cabello recogido y la mirada en alto. Su estilo es muy próximo a González Ruíz. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Di [+]

The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous
The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous

Es dibujo de buena calidad y de escuela boloñesa de la primera mitad del siglo XVIII, relacionado con el estilo de Antonio Gionima.En él se representa en la parte baja a los apóstoles, arrodillados y [+]

The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))
The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous (After Romano, Giulio (Giovanni Francesco Penni))

Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]

St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
St. Martin of Tours dividing his cloak with the beggar
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

The prototype by Cambiaso copied here is a drawing in the Art Museum, Princeton University (inv. no. 49-74). Another School version, evidently superior to the Prado copy, was formerly in the Köni [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)
Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous (Copy Ribera, Jusepe de, lo Spagnoletto)

Copia del siglo XVIII de la obra de Ribera del lienzo San Sebastian curado por las Santas Mujeres (1621), en el Museo de Bilbao. El cuadro perteneció al marqués de Leganés y estuvo en la Sala Capitula [+]

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