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Some boys whose clothing indicates they are from a wealthy family, play in the country, inflating a bladder under the watchful eyes of their nannies, who converse in the background. This is one of Goy [+]
El palentino Martínez del Rincón desarrolló una carrera marcada por las reminiscencias de un romanticismo tardío. Combinó su interés por los asuntos orientalistas con la pintura de tipos femeninos, qu [+]
This canvas depicts an equestrian event that took place at the Palace of Aranjuez in 1770. It was attended by Charles III and Princess María Luisa, his daughter-in-law, who are to be seen in th [+]
Elegantly dressed nobles with swords, capes and sunshades join the lower-class majos and majas on the banks of the river Manzanares and indulge in gambling, dancing and fishing. This is a sketch for a [+]
This work is a preparatory sketch for a tapestry of extraordinary dimensions -nearly eight metres in length and over three metres tall- intended for the bedchamber of the Prince and Princess of Asturi [+]
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Establecido en París desde 1873, Palmaroli desarrolló un tipo de pintura de género que le proporcionó un extraordinario éxito. Esta refinada tabla, la versión más depurada de un asunto que repitió en [+]
A street seller offers her wares in the form of woodland haws. Dressed as a maja and surrounded by cloaked men, she openly flirts with them, in contrast to the coy attitude of the woman in the pair to [+]
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This tapestry cartoon represents a popular scene of Majos and Majas dancing Seguidillas on the banks of Madrid´s Manzanares River. In the background, Goya painted the area around the Pontones Br [+]
A cartoon for the tapestry to be hung in the Prince of Asturias´s quarters at the El Pardo Palace. Two Majos appear at the center of the composition, playing characteristic 18th-century Spanish [+]
This cartoon depicts an encounter between a young woman in elaborate traditional costume and her partner, described by Goya in his bill to the Tapestry Manufactory as a “gypsy man and woman”. Accompan [+]
Two little girls play with one of the swans in the pool of the Jardín de las Damas at the Real Alcázar in Seville. Madrazo displays here his extraordinary skill with colours, particularl [+]
In the Catalan painter’s sophisticated atelier full of assorted treasures and antiquities, clearly influenced by Fortuny’s studio in Rome, a thrilled maidservant eagerly holds a sumptuous cloth in fro [+]
This work bears exceptional witness to the concurrence of Fortuny’s painting with that of his close friend, Raimundo de Madrazo. Begun by the former, it was completed after his death by the latter wit [+]
This tapestry cartoon depicts five people. The young man in the foreground is drinking from a wineskin while his companion eats a chive or tender onion. This scene has been interpreted as an allegory [+]
In Goya´s own words, the scene depicts some young people who have “gone out to the country to fly a kite.” The couples that appear behind the main group show that this subject is a pretext allow [+]
A group of Majos play cards in the country, under the shade of an awning hung in a tree. Behind them, another Majo makes signs to his companion, helping him with the game. Goya uses a new and very ric [+]
