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Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de
Boys picking Fruit
Oil on canvas. 1778
Goya y Lucientes, Francisco de

A boy steps on another's back as he attempts to climb a tree and pick its fruit, while two others watch expectantly, hoping to receive some. This is one of Goya's cartoons for the tapestries intended [+]

Children blowing up a Bladder
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de
Children blowing up a Bladder
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de

Some boys whose clothing indicates they are from a wealthy family, play in the country, inflating a bladder under the watchful eyes of their nannies, who converse in the background. This is one of Goy [+]

The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de
The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de

Goya never actually painted the cartoon for this scene, which is one of his masterpieces, and the most popular of a series intended for the bedroom of the infantas in Madrid's El Pardo Palace. The pro [+]

The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de
The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas on the banks of Madrid´s Manzanares River. The Hermitage of the Virgin of the Port is just visible behind a group of trees on [+]

The Haw Seller
Oil on canvas. 1779
Goya y Lucientes, Francisco de
The Haw Seller
Oil on canvas. 1779
Goya y Lucientes, Francisco de

A street seller offers her wares in the form of woodland haws. Dressed as a maja and surrounded by cloaked men, she openly flirts with them, in contrast to the coy attitude of the woman in the pair to [+]

Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de
Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas dancing Seguidillas on the banks of Madrid´s Manzanares River. In the background, Goya painted the area around the Pontones Br [+]

The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This tapestry cartoon depicts a young woman. She is sitting, with a dog on her lap, and is accompanied by a Majo who protects her from the sun with a parasol. This work's format and bottom-to-top pers [+]

An Avenue in Andalusia, or The Maja and the Cloaked Men
Oil on canvas. 1777
Goya y Lucientes, Francisco de
An Avenue in Andalusia, or The Maja and the Cloaked Men
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This cartoon depicts an encounter between a young woman in elaborate traditional costume and her partner, described by Goya in his bill to the Tapestry Manufactory as a “gypsy man and woman”. Accompan [+]

A Fight at the Venta Nueva
Oil on canvas. 1777
Goya y Lucientes, Francisco de
A Fight at the Venta Nueva
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This tapestry cartoon represents a quarrel among men in front of a tavern which Goya calls the New Tavern. The area near Madrid now called “Ventas,” and tknown as “Ventas del Espíritu Santo” in [+]

The Drinker
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Drinker
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This tapestry cartoon depicts five people. The young man in the foreground is drinking from a wineskin while his companion eats a chive or tender onion. This scene has been interpreted as an allegory [+]

The Kite
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de
The Kite
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de

In Goya´s own words, the scene depicts some young people who have “gone out to the country to fly a kite.” The couples that appear behind the main group show that this subject is a pretext allow [+]

The Card Players
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de
The Card Players
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de

A group of Majos play cards in the country, under the shade of an awning hung in a tree. Behind them, another Majo makes signs to his companion, helping him with the game. Goya uses a new and very ric [+]

Where is mommy going?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Where is mommy going?
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 65, Where is mommy going? (G02102) is part of The Caprichos. The subject matter was common in representations of that period. The composition presents four figures accompanied by nocturnal an [+]

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