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Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Royal Couples
Oil on canvas. 1770
Paret y Alcázar, Luis
Royal Couples
Oil on canvas. 1770
Paret y Alcázar, Luis

This canvas depicts an equestrian event that took place at the Palace of Aranjuez in 1770. It was attended by Charles III and Princess María Luisa, his daughter-in-law, who are to be seen in th [+]

View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón
View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Play Rehearsal
Oil on canvas. 1772 - 1773
Paret y Alcázar, Luis
Play Rehearsal
Oil on canvas. 1772 - 1773
Paret y Alcázar, Luis

With its delicate, highly individual style, the work of Luis Paret y Alcázar, an artist whose family was of French origin, unambiguously represents the French Rococo in Spanish art. The career [+]

Young Woman asleep in a Hammock
Oil on copperplate. 1775 - 1778
Paret y Alcázar, Luis
Young Woman asleep in a Hammock
Oil on copperplate. 1775 - 1778
Paret y Alcázar, Luis

The hammock suggests a tropical setting, possibly Puerto Rico where Paret lived between 1775 and 1778 after he was banished by Charles III. The sumptuous curtain evokes a dream-like space, while the v [+]

Self-portrait of the Artist in his Studio
Oil on canvas. 1775 - 1778
Paret y Alcázar, Luis
Self-portrait of the Artist in his Studio
Oil on canvas. 1775 - 1778
Paret y Alcázar, Luis

The family of this celebrated Madrid artist was originally French, and his own aesthetic roots lie outside Spain. In this self-portrait we see him sitting in a chair with cabriole legs, dressed in sum [+]

Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean
Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean

Son of Philip V and Isabel Farnese, Louis Antonio of Bourbon was born July 25, 1727, became archbishop of Toledo on September 9, 1735, and became cardinal on December 9 of that year. In 1739, he also [+]

Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis
Bouquet of Flowers
Oil on canvas. Ca. 1780
Paret y Alcázar, Luis

This painting was purchased by Charles IV for his personal collection, but was later transferred to the royal collections. Its facture and composition are similar to those of the works of French paint [+]

Charles III dining before the Court
Oil on panel. Ca. 1775
Paret y Alcázar, Luis
Charles III dining before the Court
Oil on panel. Ca. 1775
Paret y Alcázar, Luis

In this painting, Paret invites us to attend a daily ritual at the Royal Palace in Madrid. Spain’s King Charles III (1716-1788) sits at the table in presence of his ministers, ambassadors, servants an [+]

Ferdinand VII swears the Oath as Prince of Asturias
Oil on canvas. 1791
Paret y Alcázar, Luis
Ferdinand VII swears the Oath as Prince of Asturias
Oil on canvas. 1791
Paret y Alcázar, Luis

This canvas depicts the swearing-in ceremony held on 23 September 1789 of the heir to the throne, the Infante don Fernando (1784-1833). It took place in the church of the monastery of San Jerón [+]

Masquerade
Oil on panel. Ca. 1767
Paret y Alcázar, Luis
Masquerade
Oil on panel. Ca. 1767
Paret y Alcázar, Luis

A panoramic representation of a celebration held, perhaps, in the Prince´s Theater in Madrid. The boxes are filled with people watching the crowd dancing on the ground floor, below. They show various [+]

View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón
View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

María de las Nieves Micaela Fourdinier, the Painter's Wife
Oil on copperplate. 1783
Paret y Alcázar, Luis
María de las Nieves Micaela Fourdinier, the Painter's Wife
Oil on copperplate. 1783
Paret y Alcázar, Luis

The sitter, dressed in the French style, plays a melody on her musical box. Her far-away expression reflects the sensibility that was fashionable in female portraits at this period. At the base of the [+]

The Botanical Garden seen from the Paseo del Prado
Oil on panel. Ca. 1790
Paret y Alcázar, Luis
The Botanical Garden seen from the Paseo del Prado
Oil on panel. Ca. 1790
Paret y Alcázar, Luis

This composition, that appears unfinished in the lower left corner, was very successful, as six replicas and contemporary copies are known to exist. Paret presents the Botanical Gardens as the backdro [+]

View of the Wharf at Cartagena
Oil on canvas. Ca. 1793
Sánchez, Mariano Ramón
View of the Wharf at Cartagena
Oil on canvas. Ca. 1793
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín
Manuela Isidra Téllez-Girón, future Duchess of Abrantes
Oil on canvas. 1797
Esteve, Agustín

Here Esteve combines the influence of Velázquez’s use of indefinite spaces with Murillo’s grace and chromatic harmony and Goya’s loose, precise technique. Considered the artist’s finest portrai [+]

Charles IV, King of Spain
Black chalk on yellow laid paper. Ca. 1766
Paret y Alcázar, Luis
Charles IV, King of Spain
Black chalk on yellow laid paper. Ca. 1766
Paret y Alcázar, Luis

Dibujo en el que se representa al monarca sentado en un sillón, acodado en una mesa, con un gran papel o mapa asido con ambas manos. Fondo de gran columnata sobre un jardín, y en primer término, en el [+]

Chastity
Pencil, Grey wash, Grey-brown wash on yellow laid paper. 1787
Paret y Alcázar, Luis
Chastity
Pencil, Grey wash, Grey-brown wash on yellow laid paper. 1787
Paret y Alcázar, Luis

Se trata de un dibujo preparatorio para la pintura al temple que decora una de las pechinas de la Capilla de San Juan del Ramo, en la Iglesia de Santa María de Viana (Navarra) en las que Paret trabajó [+]

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